Hiyao Miyazaki’s second film that he directed displays all the elements that have made him legendary: a brave heroine, a strong environmental message, dazzling flight, and extraordinary images that linger in the mind long after the movie ends. The story follows a young princess trying to save humanity while facing hostile neighboring kingdoms, deadly giant insects, and a world devastated by an ancient war. It is a great pleasure to review the movie that allowed Studio Ghibli to be founded.
Way back in the early 1980s, animated movies were in the doldrums with Disney suffering a creative and financial slump. Other studios attempted to recapture the magic, but none saw great success. In later years Disney would rise again, yet it was over in Japan that real animated magic was reborn thanks to the creative genius of a struggling forty year old animator named Hayao Miyazaki.
Having had some success in directing the adaptation of Lupin the Third: The Castle of Cagliostro in 1979, Miyazaki wanted to make his own creations but was getting nowhere. It took Toshio Susuki the editor in chief of Animage magazine befriending him for things to finally start rolling. Finding Miyazaki bursting with ideas he suggested that Hayao create a manga to run in the magazine.
That manga debuted in 1982 and was called Nausicaä of the Valley of the Wind. Its success made it possible to raise funds to make a movie and the world of animation, not just anime, would never be the same. Miyazaki’s works would go on to influence traditional animators and even the new wave of computer generated animation movies at Pixar.
Nausicaä opens with a masked man riding a strange dodo-like bird out of a wind swept haze. Visually and auditorily striking, the scene seems to step straight out of one the era’s fantasy magazines such as Heavy Metal or Epic Illustrated. I have the vague memory of seeing the intro either in stills or possibly flipping past the horrifically altered version Warriors of the Wind on HBO at the time. Suffice it to say this was nothing like the staid Disney animation of the time and made an impression.
The man investigates the ruins of a settlement that has become overgrown by fungi in a very grim introduction to the setting. Once the credits start rolling it becomes clear that this is the future Earth and not some fantasy world. A wealth of information is quietly and quickly conveyed through intercutting tapestries depicting the downfall of man with the actual events briefly glimpsed. Fire breathing giants laying waste to the world alternate with images of a white winged woman sometimes clothed in blue dominate the introduction…
