Man of Steel (2013) Review

Rebooting a film franchise is always divisive, however this bold reinterpretation of Superman’s origin may qualify as one of the most controversial in cinema history. Big, brashly violent, and unabashedly emotional this is definitely not the Christopher Reeve’s superhero that so many have fond memories of. Instead it is a science fiction story about what it would be like to be a perpetual stranger in a strange land while trying to find your own unique identity.

See the title above? You won’t see that until the movie ends. Nothing is allowed to get in the way of this freight train of a story that hurtles through the two and half hours the movie runs. Contained within is a densely packed journey of discovery alternating with loss combined with all the repercussions of finding out alien life exists and may not be friendly.

Don’t expect much comic relief in this very serious take on the first comic book superhero. It stands in stark contrast to the relatively cheery 1970’s Superman film series.

Like Richard Donner’s classic from 1978, the movie begins on the dying world of Krypton somewhere far off in space. Hans Zimmer’s masterful soundtrack thrums away before giving way to a heartbeat of a baby being born. Amidst the decay of a spent people, Jor-El (Russell Crowe) and his wife Lara (Ayelet Zurer) have done something not allowed in hundreds of years: they have had a baby by natural childbirth rather than artificial engineering.

Godzilla, Mothra and King Ghidora (2001) Review

Giant Monsters All-Out Attack aka Godzilla: GMK

A darker take than usual in the Godzilla series of movies that adds a spiritual aspect to Japan’s battles with the giant lizard. While highly flawed, this is my second favorite Godzilla movie and only eclipsed by the original Gojira. It is the only other Godzilla movie in my collection other than the original and I purchased it from Hong Kong it was unavailable in the US at the time . That has since changed.  It also can be watched online at Crackle.com. UPDATED: April 2012. UPDATED again September 2014 with Blu-ray details and HD screen captures.

Toho Studios gave Shusuke Kaneko, the director of the competing rebooted Gamera trilogy, a shot at reinterpreting Godzilla and this production hit Japanese theaters in late 2001.  Domestically it was the most successful of the Millennium series of Godzilla movies. Yes, there have been so many films of the big ‘G’ that they are actually broken into subsets by era. GMK is a direct sequel to the 1954 movie and ignores all the others.

The movie begins with the most boring of settings, a classroom. This one is filled with Japanese naval officers being lectured by Admiral Tachibana (Ryudo Uzaki) about the only battle fought by the Japanese Self Defense Force.  That battle was in 1954 against the giant monster Godzilla and was a great victory for the JSDF.  Huh?  Wasn’t the radioactive menace killed by the Oxygen Destroyer? Something’s fishy here.

As the lecture goes on, mention of a giant monster attacking New York and possibly being identified as Godzilla occurs. This leads to a humorous slam against the 1998 American Godzilla movie during a discussion by two junior officers. One asks if it really was Godzilla. The other replies: “Experts in America say it was, but Japanese ones disagree.”

Battle of Britain (1969) Review

An all-star cast fills in-between beautiful scenes of aerial combat in this recounting of the famous World War II battle over Great Britain’s skies. While the fictional characters are nothing to write home about, the real drama comes from the unfolding nightmare that really did happen. Glorious cinematography will make you want to see it on a big screen – the bigger the better. UPDATED August 2014 for a full rewrite, Blu-ray details, and HD screen captures.

From August 12 to October of 1940, a fierce bombing campaign by Germany took place in preparation for an eventual amphibious invasion of Great Britain. Badly outnumbered and riven by arguments over strategy, the British very nearly lost this critical battle during the early stages of the Second World War. Any attempt to portray this complicated history was bound to be flawed in one way or another, so it was perhaps too big a story to tell in one movie.

Three main focuses are interweaved throughout: the factual RAF Fighter Command struggle to form an effective strategy (based on book The Narrow Margin), depictions of the air war itself, and drama around fictional fighter pilots.  Most of the focus is on the second and features the best aerial footage I’ve seen in any movie not named The Blue Max. With the noted James Bond film series director Guy Hamilton helming the movie, great action was guaranteed.

King Kong vs. Godzilla (1963) Review

Radioactive Rage month begins with the one and only clash between cinemas two biggest stars. When bad driving releases Godzilla from an icy tomb, the only weapon that can stop him is the mighty King Kong! But can Japan survive the clash of two titanic monsters? More importantly, who will win the fight in this wildly uneven movie?

The 1960s had arrived and both King Kong and Godzilla were unemployed after a mere two feature films each. Neither had appeared in a widescreen or color movie thanks to disappointing and rushed sequels to smash hit debuts. In what is an eternity for a film franchise, the last appearance for each had been 1933 and 1955, respectively.

So when an American producer shopped an idea around for a new King Kong movie where he fights another giant, he was met by the sound of crickets chirping. However, Toho Studios decided to take on the project and work in Godzilla as the substitute villain for the piece. Returning to helm the film was Gojira director Ishiro Honda who had not been involved in the lackluster Godzilla Raids Again.

The end result was a monster romp of the likes that hadn’t been seen since the days of Universal’s teaming up of the Wolfman, Frankenstein’s Monster, and Dracula. Aimed squarely at being an action comedy rather than a horror film, it was nothing like its predecessors. However, a few moments of the old chills appear making it a transitory Godzilla film from serious horror science fiction to kids films.

Unfortunately, the original Japanese version is not available so this will be a review of the heavily edited American version just released on Blu-ray for the first time.

Radioactive Rage Month

To celebrate the upcoming new American Godzilla coming out in May, I’ll be writing as many Godzilla movie reviews as I can up to the release. Rather than tackling the entire series in order, I’ll be starting out with comeback movies by the big G. Over the past sixty years, the radioactive lizard has had more comebacks than Rocky Balboa as times have changed.

If I pull off all four reviews planned, I’ll see what else I can fit in. The four will be:

1. King Kong vs. Godzilla
2. The Return of Godzilla (aka Gojira aka Godzilla 1985)
3. Godzilla (1998 American)
4. Godzilla 2000

If you are a North American fan of the Godzilla, you should be aware that a slew of releases on Blu-ray are out or will be in May:

• King Kong vs. Godzilla
• Gozilla vs. Hedorah (aka vs. the Smog Monster)
• Godzilla vs. Gigan (aka Godzilla on Monster Island)
• Ebirah – Horror of the Deep (aka Godzilla vs. the Sea Monster)
• Godzilla vs. Destroyah/Godzilla vs. Megaguirus (Double Feature)
• Godzilla vs. King Ghidorah/Godzilla vs. Mothra (Double Feature)
• Godzilla vs. Mechagodzilla II/Godzilla vs. Space Godzilla (Double Feature)
• Godzilla: Final Wars/Godzilla: Tokyo S.O.S. (Double Feature)

Many of the Heisei era have never been released in widescreen or the original Japanese language versions over here, so it is a pretty big deal. Others have commanded premium prices due to the DVDs being out of production for a decade. Prices are around $13-15 each on Amazon and other e-tailers so it is quite the bargain.

Also coming out on Blu-ray to ride on G’s tail are King Kong Escapes and the original Gamera films, the latter in two volumes of four movies in their original Japanese cuts.

It’s a good time to be a kaiju fan!

TRON: Legacy (2010) Review

A surprisingly beautiful and layered movie that vastly improves upon the original film in every possible way. While the action is spectacular, the real story is both a social commentary and variation on the prodigal son. Filled with extraordinary imagery, kinetic action, and good acting, it may not have been the smash success Disney envisioned it succeeded in being thought provoking and very, very entertaining. UPDATED December 2011 for Blu-ray review and HD screen captures, January 2013 for technical details.

I’m old enough to have seen the original TRON in a movie theater and always had a soft spot in my heart for it.  Disney’s experiment wasn’t a great movie, but was a passable B movie with an A level budget.   Still, it was great fun and interesting to look at with an equally interesting soundtrack.  28 years later, the sequel arrived in 3D during a disappointing winter box office.  So did it live up to the hype?

TRON: Legacy starts with a lasers forming the outline of the Walt Disney Pictures Enchanted Castle which is a nice touch. This was in 3D at the theater; the screen captures in the review come from the Blu-ray so I may be a bit fuzzy about where 2D and 3D transitioned. Lines of blue light follow, tracing circuit patterns that become city streets while Jeff Bridges voice is heard talking about “The Grid.” It is a very pretty sequence indicative of things to come.

The year is 1989 and widower Kevin Flynn (Jeff Bridges) is telling his seven year old son, Sam, about getting into The Grid in the first movie. TRON and CLU are mentioned as helping him build The Grid and a promise is made to take Sam there one day. But something big has happened, a “miracle” and for the moment the boy has to stay put. Another promise is made and Flynn leaves to work on his project.

The Invisible Boy (1957) Review

When a true sequel to Forbidden Planet fell apart during the planning stages, MGM decided that Robby the Robot would still get a vehicle written around him for the next year. Instead of a hard science fiction story, a simpler story aimed straight at young boys was chosen. Though nowhere near the quality of the earlier film, moments of intelligence shine through this kiddie flick about a not very intelligent brat.

This review is actually an extension of my Forbidden Planet one, since this movie is an extra in both the DVD and Blu-ray releases. Little did I know when I started watching this flick that I’d encounter a boy so annoying that he rivaled Kenny (aka Toshio) from the first Gamera movie! Is that considered a spoiler? If so, consider yourself nearly as spoiled as Timmie.

Yes, that’s a Timmie with an “ie”, not a “y”.

Looking every bit like a B-movie, but sporting a slightly better budget, The Invisible Boy starts off in promising fashion with a motorcade arriving at the Stoneman Institute of Mathematics. A front for an underground computer laboratory and research center, it is run by Dr. Tom Merrinoe (Richard Eyer), the main programmer for “the Computer” at its core. Holding the collective knowledge of all of humanity, it is being used for things such as checking rocket launch calculations.

Okay, that sounds underwhelming, but back in the 1950s this was amazing stuff since virtually nobody had any experience with the brilliant idiots we now tote around everywhere. To the layman, computers were a form of black magic capable of doing almost anything. Every day brought a new advancement in science, much of it on the military end.

Forbidden Planet (1956) Review

A smart, literate script that derived much of its plot form Shakespeare's The Tempest propels this film from what could of been an expensive B-movie into a true top tier movie. Featuring a flying saucer, a robot, a mad scientist, and an alien monster it sounds like kid’s dream. Oh it is that, alright, but good acting and cutting edge effects made this science fiction film a true classic. UPDATED December 2013 with a full rewrite, HD screen captures, and Blu-ray details.

Younger people have frown up in an era dominated by special effect, but this wasn’t the case in the past. Once upon a time, there was no such thing as computer generated effects, or CG. Special effects were done in laborious, painstaking ways, with wires, matte paintings, and miniatures. Of late, there has been a renaissance in using the old methods, combining them with CG. But amazingly, there were genuinely well done special effects in the past (though kids today will laugh at some of them) with certain films being milestones in the art.

MGM’s Forbidden Planet is one such film, but the expensive effects were only part of the reason this bold experiment is considered one of the greatest science fiction films of all time. The introduction of Robby the Robot (who cost an astounding 100,000 1956 dollars) definitely contributed, as did Anne Francis' short dresses (an actual plot point). But the main ingredient stirred into the mix was that the director and actors took the story seriously.

Children Who Chase Lost Voices from Deep Below (2011) Review

aka Journey to Agartha

A visually stunning meditation on death, love, and loneliness, this story of a girl’s journey to a mystical underworld doesn’t shy away from the harsh things encountered in life. Filled with action, magical creatures, a hint of romance, and a profound sense of loss, the movie is one of the best anime efforts to ever come out of Japan.

Director/writer Makoto Shinkai has made a name for himself over the past decade by creating beautifully animated tales of love lost. Some have labeled him the next Hayao Miyazaki though he hasn’t had the international success of that renowned director. In an effort to reach a wider audience, Shinkai began to ponder universal beliefs across cultures and what would appeal to the entire world. The end result is a dazzling and thoughtful movie about dealing with the deaths of loved ones.

Set in a rural town in 1970’s Japan, Children Who Chase Lost Voices makes quite an impression right away. Not through a cheap trick of a shocking or surprising event, but through showing the quiet beauty of a girl listening to a railroad track. The play of light and shadows combines with the sounds of the countryside to create an authentic sun kissed moment that immerses the viewer into the setting.

The girl’s name is Asuna and she’s in a hurry to get somewhere. As we follow her running around, we are treated to superb animation on the way to her secret place hidden up on a hill. The sheer amount of eye candy borders on overload and repeat viewings had me finding something new every time.

Trollhunter (2010) Review

College students go out in the woods with a camera and disappear leaving only footage behind. Sound familiar? Well, this time it’s a wee bit different thanks to plenty of dry Norwegian wit and a ludicrous subject played with straight faces. Hoping for an interesting story on bear poaching, the students soon find out the object of their pursuit is hunting something different – trolls. Is the man insane or is there more than bears out in the wilds of Norway?

The found footage craze has slowly died down in movie making much to the relief of serious cinema buffs. However, this indie gem out of Norway proves that the format isn’t completely worthless and that a good movie can be made in the style. It doesn’t hurt that a very dark sense of humor is complimented by legitimate tension building, great effects, and deadpan acting.

Like all found footage movies things begin with text on screen informing us that the following content was edited from footage recorded by missing people, in this case college students working on a project in 2008.  We quickly get to know the main characters through glimpses of them setting up their gear and an early introduction for a documentary they are filming.

Thomas (Glenn Erland Tosterud) is the nerdy and earnest face of the production, clearly in charge even if not respected by his cameraman. Johanna (Johanna Morck) is an attractive blonde in charge of the boom mike and recording system. Her other job is trying to keep cameraman Kalle (Tomas Alf Larsen) from being a jerk toward Thomas.

Their quarry is a suspected poacher killing bears and depositing them in random places in the countryside. Clued in by the hunting community, they eventually track down the mystery man known only as Hans. Hans (Otto Jespersen) is a gruff cipher who rebuffs the trio when they confront him at a trailer park.

Something isn’t right though, even accounting for his illegally killing bears. One look at his battered Land Rover reveals some very nasty claw marks that don’t look very ursine in origin. Then there is the horrible smell coming from his camper.

Pacific Rim (2013) Review

A high budget love letter from director Guillermo del Toro to Japanese science fiction cinema, this story of giant monsters and titanic robots failed to light up the domestic box office. Yet it was far from a failure becoming a massive hit worldwide. Aimed squarely at twelve year olds (including inner ones), a simple heroic story told mainly visually also targets the human heart despite being a brutal slugfest. Beautiful to behold, packed with action, and supported by a good cast it is a whole lot of fun.

A last minute decision was made to add this review to my Halloween lineup since it was time for a giant monster movie in the rotation. Featuring kaijus (giant monsters) fighting with mechas (giant robots) rendered with the most modern of effects, it certainly fills the bill. Also, I love this flick and wanted an excuse to do a full review of its Blu-ray release. Thanks to a large amount of extras, it turned into a Herculean endeavor.

But hey, better to go large, right? Speaking of which…

Pacific Rim launches straight into a prologue packed to the gills with action and information narrated by a rueful voice looking back at the events. Set in the near future, a huge amount of exposition both verbal and visual comes at the audience at a furious rate. In summation, giant toxic monsters have emerged from a dimensional rift called the Breach in the ocean floor of the Pacific, towering robots were built in an international effort to stop them, and humanity thought they were winning.

This data overload is presented in the form of news clips, flashes of monsters called the Kaiju (Japanese for giant beasts) trashing cities, and scenes of Jaegers (German for hunter) being built. Not only does it set things up, but the montage gives glimpses of Kaiju and Kaeger designs that didn’t make the final cut. More interesting is that del Toro did not direct this portion of the prologue. Not one to use the “found footage” or pseudo documentary style, he instead assigned it to a trusted friend and was delighted with the results.

It has been awhile since I’ve seen a big budget movie dare to start in the middle of a story and while it might not be what people are now used to, I’ve always felt that it adds to the suspension of disbelief. After all, most of life is about wandering into a situation as it messily unfolds rather than being there from the beginning.

With the setup explained the movie really begins.

Whisper of the Heart (1995) Review

An early attempt by Hayao Miyazaki to step back from directing led to this soulful adaptation of a manga about a stubborn middle school student trying to find a direction in life. Filled with trials of school, friendship, family, and even romance, her journey takes her to the most controversial ending in Studio Ghibli history.

Adolescence is a turbulent period in the life due to all the new and confusing situations you encounter. Most of the trouble is in dealing with others while trying to figure out just who you are. This is a tricky balancing act in even the best of circumstances.

In our current culture, that time has extended well past the teens through the twenties to encroach on the thirty something’s. But in 1995 when Whisper of the Heart was released, there was still a desire to mature at an early age though it was fading.

Set in a Japanese city, the film greets us with a montage of urban life after the sun has faded and the lights have just flickered on providing the glow that can make night life possible. It’s that period when responsibilities have mostly ended with the promise of things possible wafting through the summer air. Ironically, the Olivia Newton-John version of the song “Country Roads” is used as a backdrop for the cityscape.

Eventually we follow a girl leaving a market and accompany her home to a small family apartment. Shizuku Tsukishima is enjoying her summer break by burying herself in books about fairy tales. But a mystery arises for the middle school student when a name on the checkout card of a book she’s reading seems vaguely familiar. Sure enough, the same name appears on all the books she’s checked out from the library: Seiji Amasawa.

The African Queen (1951) Review

Take two aging stars worried about their careers and one dangerously close to being blacklisted director, stir in a splash of Technicolor, then add location shooting in Africa. What does this recipe make? One of the most unlikely films to ever grace many a list of greatest movies.

Star Humphrey Bogart reunites with director John Huston with Katherine Hepburn onboard for a wonderfully adult romance about two losers trying to sink a German boat in WWI Africa. Spectacular scenery, great acting, and fantastic writing make for a highly entertaining experience that has easily withstood the test of time.

Adapted from a novel by C.S. Forester of Horatio Hornblower fame, this gem of a film starts out in somewhat unconventional fashion. The name of the movie appears with a very important caption under it, “Color by TECHNICOLOR.” We’re used to color today, but in 1951 most movies were still in black and white making this a big deal.

So watching the credits go by while moving through exotic jungle trees with equally rare animal noises in the background had to be quite a thrill to theater goers. I know it got my attention as a little kid and I grew up with color. An air of promise fills the screen, promise that you are about to see an adventure straight out of National Geographic Magazine.

But does it live up to those expectations? Read on to find out.

Star Trek (2009) Review

Rebooting a franchise with a rabid fandom is always a dangerous thing, but running afoul of Trekkies, err, Trekkers is suicidal. So when J.J. Abrams of Lost fame was chosen to restart Star Trek from the beginning, a lot of fear and consternation filled the Web. A new take on Kirk, Spock, McCoy, the other original characters hit the big screen in 2009 to boldly go where we’ve gone before. High octane action and modern pacing made for a very different experience along with bigger box office. Updated with rewritten text, Blu-ray review, and HD screen captures.

It was disappointing to hear that Paramount was rebooting the Star Trek film series with a remake of the original series. I’d hoped for something more original like following the first captain of the Enterprise, Christopher Pike, or the murky early war with the Romulans. Instead, there would be a fresh young cast taking the roles of Kirk and company.  Out the window went any interest I had in the project.

Then a funny thing happened, the clips released to the Internet actually looked… good. Snippets of scenes showed decent acting and writing.  Disturbingly, I began to be interested.  Then came the trailers and I was in trouble. The movie looked like it was worth spending money on seeing in a theater, something uncommon for me.

So I ponied up the money, saw it and liked it. A lot.  But would it hold up after a second viewing?  An incredibly cheap preorder deal for the DVD at Target gave me that chance and so the answer is in the form of this review. Since first writing it, I’ve gotten my hands on the Blu-ray and will comment on the differences later.

Star Trek begins with moody music from its rather excellent soundtrack (composed by Michael Giacchino) while a starship comes into view, the U.S.S. Kelvin.  The ship is investigating an anomaly near the Klingon border when a gigantic squid-like ship emerges from it and promptly attacks. Right away the frenetic energy of the fight conveys the seriousness of the situation as the Federation ship is utterly overwhelmed by the mysterious attacker. 

The stakes are made to feel high as one short sequence demonstrates when a female crew member is sucked out of a hull breach and her corpse bounces off of a phaser turret in the silent vacuum of space.  This film is playing for keeps and doesn’t shy away from a high body count.

Beowulf: Director’s Cut (2007) Review

Before underdressed CGI blue cat people fought “the man” in 3D and made a billion dollars, another underdressed CGI hero fought against “the woman” in 3D and barely managed a profit worldwide. Despite its underwhelming box office, this movie inspired by an ancient Anglo-Saxon poem is the more interesting of the two. Gory, boisterous, beautiful, and dark, it was hampered by trying to be both a meditation on human frailty and a popcorn action flick. UPDATED June 2013 with Blu-ray details and HD screen captures.

In those forgotten days before television, before movies, before radio, and yes even before comic books, heroic tales still circulated. Traveling bards who could recite great tales were highly valued and the superstars of their day. Committed to memory, countless tales that thrilled audiences of the past have been lost. But a few lasted long enough to be transcribed to paper and Beowulf is the oldest in the English culture.

If you are a dedicated fan and purist about the heroic poem, please stop reading here. It will save you time wailing and gnashing your teeth – besides, Grendel of the movie is much better at doing both of those. This movie is more of an “inspired by” story than an adaptation.

Set in 6th Century Denmark, the film begins with with chanting driven orchestral music (composed by veteran Alan Silvestri) and the main title flashing on screen. In 3D at the theater, it looked very good I must say. Quickly the title fades and we are presented with an ornate golden horn drinking cup featuring a dragon. It is apparent that we are supposed to pay attention to this object and I recall thinking “It’s a plot device!”

As the camera pans up, we are introduced to our first look at how the all CGI film renders humans. A very pretty and regal looking Nordic lady is holding the cup during its filling, all the while looking none too happy to be doing so. Soon we find out why and her identity.

Nausicaä of the Valley of the Wind (1984) Review

Hiyao Miyazaki’s second film that he directed displays all the elements that have made him legendary: a brave heroine, a strong environmental message, dazzling flight, and extraordinary images that linger in the mind long after the movie ends. The story follows a young princess trying to save humanity while facing hostile neighboring kingdoms, deadly giant insects, and a world devastated by an ancient war. It is a great pleasure to review the movie that allowed Studio Ghibli to be founded.

Way back in the early 1980s, animated movies were in the doldrums with Disney suffering a creative and financial slump. Other studios attempted to recapture the magic, but none saw great success. In later years Disney would rise again, yet it was over in Japan that real animated magic was reborn thanks to the creative genius of a struggling forty year old animator named Hayao Miyazaki.

Having had some success in directing the adaptation of Lupin the Third: The Castle of Cagliostro in 1979, Miyazaki wanted to make his own creations but was getting nowhere. It took Toshio Susuki the editor in chief of Animage magazine befriending him for things to finally start rolling. Finding Miyazaki bursting with ideas he suggested that Hayao create a manga to run in the magazine.

That manga debuted in 1982 and was called Nausicaä of the Valley of the Wind. Its success made it possible to raise funds to make a movie and the world of animation, not just anime, would never be the same. Miyazaki’s works would go on to influence traditional animators and even the new wave of computer generated animation movies at Pixar.

Nausicaä opens with a masked man riding a strange dodo-like bird out of a wind swept haze. Visually and auditorily striking, the scene seems to step straight out of one the era’s fantasy magazines such as Heavy Metal or Epic Illustrated. I have the vague memory of seeing the intro either in stills or possibly flipping past the horrifically altered version Warriors of the Wind on HBO at the time. Suffice it to say this was nothing like the staid Disney animation of the time and made an impression.

The man investigates the ruins of a settlement that has become overgrown by fungi in a very grim introduction to the setting. Once the credits start rolling it becomes clear that this is the future Earth and not some fantasy world. A wealth of information is quietly and quickly conveyed through intercutting tapestries depicting the downfall of man with the actual events briefly glimpsed. Fire breathing giants laying waste to the world alternate with images of a white winged woman sometimes clothed in blue dominate the introduction…

Gorgo (1961) Review

What do you get when you make a knock off a movie that copied of one of your own films? You get another sea monster played by a man in a rubber suit rampaging through a capitol of a nation, but this time it’s London! When a giant monster is found in the depths on the North Sea and captured, it sets the stage for one of the angriest mothers in cinema history. Combining death and carnage with the heart of a family film makes Gorgo an oddly sweet story. Updated review with new HD screen captures and Blu-ray details!

One of the inspirations for Gojira aka Godzilla, King of the Monsters was 1953’s The Beast from 20,000 Fathoms. So it is rather interesting that the director of that film, Eugene Lourie, was also the director of Gorgo, which is obviously inspired by Godzilla. After being berated by his young daughter for killing the Beast, Lourie decided to make a monster film with a gentler take. Well, the movie isn’t that gentle, but it is not as somber as Gojira, that’s for sure.

Oh and if you are looking for a review of the new Blu-ray release, it can be found in the Technical section. If you want the best copy of the movie, the Blu-ray is a must buy.

Gorgo opens up with a group of salvagers working on a wreck off the coast of Ireland. The captain of the ship, Joe Ryan (Bill Travers), is concerned about a strange bubbling in the water nearby. When his best friend and diver Sam Slade (William Sylvester) is late coming up, he becomes even more concerned. It turns out to be a false alarm, but what happens next is completely unexpected: a volcano emerges from the sea and erupts! Nearly capsized, the ship suffers enough damage to be dead in the water.

Kimi ni Todoke Ep. 6: Friends

In one of the most emotional episodes of the series, Sawako takes on the rumor mongers and finds herself in physical danger. Unable to help her, Kazehaya can only wait in frustration for things to come to a resolution. Nothing is more vicious than a pack of teenage girls…

Life is filled with happiness and sadness for you cannot know one without the other. Kimi ni Todoke is at its best showing the ups and downs of trying to grow up through the turbulent years of high school while dealing with the amplified emotions of adolescence. Everything is more intense when you are young with nothing more intense than the hostility of others.

 

A brief flashback to Sawako’s childhood reveals the identity of the girl who gave her the nickname of Sadako. It was the result of an innocent slip of the tongue that often happens to little kids and no malice was meant. Back in the present, malice is clearly intended when our heroine finds herself backed against a wall.

The Last Starfighter (1984) Review

When a young man dreams of escaping his dreary life an unexpected trip to the stars leads to adventure and heroism. Sound familiar? It should for this is a cheesy, formulaic, and derivative movie. Yet it is easy to forgive this due to an excellent cast, endearing characters, and a complete lack of pretention. Combining all of the above with cutting edge effects that changed the industry resulted in one of the best B-movies of the 1980s. UPDATED March 2013 with HD screen captures and Blu-ray details.

These days we are accustomed to seeing photorealistic computer generated images (CGI) in everything from commercials to major motion pictures. It wasn’t always like this and somebody had to pioneer the field. This is the movie that dared to attempt what was then thought impossible. Without The Last Starfighter we would not have had the Lord of the Rings, Pixar, or Marvel superhero movies.

Greeted by a stately symphonic score and a planet that is clearly not Earth, we zoom away from it while the title and credits roll. After going through what appears to be a wormhole in space, the camera pans down to a small trailer park in the hills of California. It’s a run down place that has seen better years, but the park is filled with a variety of people happily living their lives.