Radioactive Rage Month continues with the most controversial incarnation of Godzilla. When popcorn movie makers Roland Emmerich and Dean Devlin got their hands on the first American attempt at the world’s most famous giant lizard, a disaster of epic proportions unfolded much to the horror of onlookers. By that, I mean the audience, not the characters in the story.
DISCLAIMER: Due to repeated viewings of the subject matter, the author of this review may have suffered permanent brain damage and cannot be held accountable for any ranting, denials of reality, or other acts of insanity that follow.
The horror… the horror…
With the winding up of the Heisei era series of Godzilla films, Toho Studios licensed out the big green ‘G’ to star in a big budget Hollywood version. Multiple directors bailed on the project due to the constraint of keeping the budget to $100,000,000. Eventually Roland Emmerich (Universal Soldier, Independence Day, Stargate) agreed to make the movie for that amount as long as he was allowed to do whatever he wanted. Tristar agreed to the terms and production began.
This is what is commonly referred to as “a mistake.”
Heavily hyped to the public, high expectations were generated after the smash hit Jurassic Park proved that large lizards could be made to look both realistic and terrifying thanks to advances in computer generated (CG) effects. I remember it well, for speculation on message boards was rampant thanks to the rise of the Internet. Secrecy was maintained well during production and what little info leaked slowly began to worry long time Godzilla buffs.
We weren’t alarmed enough, it turned out. Time to gird my loins, abandon my sanity, and write this review.
The horror… the horror…