Following up their other Broadway hit turned motion picture, the Marx Brothers once again hit pay dirt at the box office with their second film. But a skimpy plot serves only to bridge one silly gag after another with plenty of songs thrown in for good measure. While not as good as their first film, there are plenty of laughs to be found.
After the success of The Cocoanuts transitioning from stage to screen in 1929, Paramount was eager to repeat the formula especially since Animal Crackers was already running on Broadway. Victor Heerman was brought on board to direct with the hopes he would be able to keep the wild brothers under control.
All that did was lead to another clash between Groucho and a director. What resulted was essentially a stage production put on camera with little directorial creativity. Fortunately, the Marx Brothers were more than able to carry the film despite that large handicap.
The movie begins with a display of a newspaper after the credits end. To make sure we ignorant savages understand what is being presented, close up shots of pertinent information are shown. From that we are meant to glean, the setup involves an explorer, Captain Geoffrey T. (for Edgar) Spaulding, and a famous painting arriving at a wealthy socialite’s estate. Mrs. Rittenhouse (Margaret Dumont) is a widow of some means. Which means Groucho will be soon hitting on her.
Since this was an early talkie, we are subjected treated to the sight of the butler singing as he instructs the staff on how to handle the guests. It goes on far too long before seguing to Roscoe Chandler (Louis Sorin) arriving with his prize painting by Beaugard. Don’t bother searching, the painter and painting are fictional. I suspect people searching for them on the Net would have amused the Marx Brothers a great deal.