A surprising release on Blu-ray shows off the most experimental Godzilla film ever made in all its odd glory.Over the years, the radioactive goliath has fought and conquered other mutants, dinosaurs, giant insects, alien monsters, giant robots, and even King Kong. But nothing can prepare even an unstoppable force of destruction for the dangerous power of a giant rose bush. No, I’m not kidding.
Serious kaiju fans and kids of the 1970s will recall a dark period with no Godzilla movies coming out. This was horrifying to those of us who enjoy a good city trampling and so it was a big deal when Godzilla 1985 (or Return of Godzilla outside of North America) arrived in theaters. It did not do remotely as well as expected in the U.S.A., so the next film in the series had some trouble getting released here. It didn’t help it bombed in Japan, but it did truly begin the Heisei era of Godzilla.
That movie was Godzilla vs Biollante and it may be the closest thing to an art house movie in the long cinema career of the monster. Words are insufficient to describe how weird this movie is, even for a kaiju flick. Still, I am going to try my best.
Right off the bat, the movie crams a dense amount of information before the credits stop rolling. It starts with the oh so 1980s high tech computer text describing different levels of Godzilla alerts which are somewhat along the lines of severe weather bulletins. Next, a montage shows a condensed version of the events of the previous film which ended with Godzilla imprisoned in a volcano. When this and the credits end, we get to see a very blond and Anglo reporter covering the devastation in Tokyo. She’s also speaking in English with very large Japanese subtitles on screen.
Amidst the wreckage, a group of men in military gear and protection suits are looking for Godzilla cells. Why? It will get explained by the copious exposition in the movie. The big surprise is that they are all Americans speaking English and I had to pause playback for a moment to see if I had enabled the correct audio track. Yep, it was the Japanese one and I was still waiting to hear any Japanese.