Dracula (1931 Spanish Version) Review

Filmed simultaneously as the famous English language version, the Spanish Dracula is now regarded as being technically superior. Using the same shooting script and sets, but with a different director and cast, it offers a fascinating contrast in approaches. While the English version got all the fame, this is the better movie by far.

 

As the talkies took over the movie industry, demand for native language films grew in Mexico, Central, and South America. This was a sizeable market and filming Spanish language versions alongside the English version was one way to capitalize on the opportunity with dubbing being the other. People wanted to hear their native language and, better yet, see people speaking it on screen.

Universal Pictures decided to film a Spanish version of Dracula at the same time as Tod Browning’s production. Paul Kohner, the former successor to Carl Laemmle who was shoved out of his position running Universal to make room for Junior, was assigned to produce it using the same script and sets. He hired George Melford to direct and the two decided they would one up the other production in every way they could.

During the day, Browning’s version filmed on the sets and by night Melford’s used them. Even the same chalk marks for positions on set were used by the actors. Since the same shooting script was used, I will refer you to my earlier review of Dracula for the plot points. Instead, the focus will be on the differences between the films and why I believe this version to be superior.

First off, the babe factor is a big reason. Yes, that is sexist, but it is also accurate. Even the girl wearing glasses is very attractive and, more importantly, gets more of a chance to act. All the actors benefit from the better direction and pacing of this version, but the women really got a better deal. Perhaps Browning wasn’t good with handling actresses.

Take the bookworm above. In the English version, she is only briefly seen and heard. But here her role is expanded, first by having her comically fall on Renfield (Pablo Alvarez Rubio) repeatedly in the bouncing coach and then by increasing her dialogue. Note that he is not as effete as Dwight Frye’s interpretation and does not seem to mind this happening. She is also shown taking something of an interest in him and later gets a little scene for herself.

Dracula (1931) Review

What better way to celebrate Halloween than with the most famous blood sucker of them all? Supernatural horror films gained acceptance and big box office in America when Bela Legosi donned the cape of Count Dracula. Beset by production problems and an unknown actor in the main part, it was an amazing achievement in its time. Has this horror classic withstood the test of time?

When Carl Laemmle, Jr. was put in charge of Universal Pictures by his father, one of the first things he did was put into motion his plans to revamp the horror movie genre for talkies. Since Dracula was already a very successful Broadway and touring play, it was the ideal subject for introducing the supernatural into horror movies. Prior to it, horror was consisted of the psychological or deformed humans types, with nothing “spooky” allowed. It was thought that American audiences would reject such silliness.

I think we all know how that theory panned out.

Hiring the famous director of Lon Chaney’s incredibly popular silent films, Tod Browning, would insure success because it would be easy to get Chaney to play the part. But “The Man of 10oo Faces” died of lung cancer in 1930 and the studio looked at a lot of actors for the part. Oddly, the star of the smash Broadway play, Bela Legosi, was not considered for the part. In fact, he had to make a desperate concession on salary to get the role he was already famous for and this was only after everyone else passed on it.

Please park your modern day sensibilities and travel back to the more innocent era of the Great Depression to witness a movie that shocked and thrilled the American public.

Squid Girl Episode 4, Season 1

UPDATE September 4, 2018

More DMCA take downs have hit the blog despite screen captures long being considered fair use. Due to my not being able to afford a lawyer, I have no choice but to remove them or have the blog suspended. Only the words will be left.

TVTokyo is proving to be foolishly draconian in targeting posts meant to get people interested in seeing the Squid Girl anime and perhaps even purchasing it on DVD or Blu-ray. Being anti-piracy myself this is infuriating that they are targeting posts I wrote hoping to encourage people to try out a delightful show.

The silliness with a heart continues as everyone’s favorite invader from the bottom of the sea learns about money, family life, and suffers from an identity crisis. There will be puns.

Want to Buy Sumfin?

Fulfilling her vow to protect the ocean by picking up litter, Squid Girl is amazed at the volume of trash humans produce. But what is that strange object? A terrified (as always) Nagisa identifies it as a wallet and Ika gets her first lesson in money. As a reward for finding and returning, the owner gifts her with 10,000 yen.

While she knows of money, Squid Girl has no concept of how it all works and quickly is barraged with more advice than she can handle. After all, she is just a fresh squid to the surface world.

Sent to shop with Nagisa, the whole world of consumerism opens before her. But little does she know she is being stalked by Sanae who was able to smell her a block away. Yes, smell her. Sanae has more screws loose than a rusty old Yugo.

Shrimp addiction, Chizuru’s sadistic streak, and mental illness all get covered in this very amusing story that plays out like a warped after school special. In the end, there is no way to disagree with Nagisa’s quietly horrified take on the whole situation.

Care to Come Aboard?

Ever wondered where Squid Girl ended up living after invading? Here we get the answer when she isn’t allowed to follow Eiko and her family home for the night. So her base, The Lemon Beach House is where she spends her nights.

But a tragic death of an appliance and the binding of another means it will be a very boring night for a young squid. Drastic measures are required and the fallout from them the next morning can only lead to one thing…

Yes, Chizuru has decided to let Ika stay over at their house! Crabby Eiko is less than thrilled for good reason, given the damage all those tentacles can do. What follows is very sweet, though. Having her first experiences at normal things families do, Squid Girl has a great time.

Video games are played, boredom resurfaces, and what appears to be a shout out to another blue haired anime girl follow.

That’s So Fishy Its Fake

Sheer insanity.

That’s what this wonderfully loopy segment is and it all starts with an innocuous reconnaissance run on a popular neighboring beach. Eiko and Squid Girl are stunned to find kids recognizing her and pulling on her tentacles. Could she be that infamous?

Not exactly. There is another Squid Girl!

Instant identity crisis time for our tentacled would be terror when she confronts her “twin.” It does not matter that the other Squid Girl is a shapely young thing wearing an obvious and oversized mask. Much like when Takeru made a squid hat in episode one, she cannot tell the difference.

But forget the deep sea existential crisis, the real humor is in the insane creation of the rival restaurant owner. We get to see not one, but two versions of his brilliant work. Let us say that the more he innovates, the less appealing his work becomes – even if it has animatronic tentacles and other special features.

An hilarious competition of the Squid Girl’s ensues with the fate of Ika’s future on the line. There will be collateral damage, scares, and a stunning reveal. Just what lurks beneath that expression of the new girl?

Thoughts

Episode 4 has all of Squid Girl’s best points on display. Segment one has the foibles of Squid Girl featured, plus a nice moral message to start it. There is an endearing quality to the show and the middle segment captures the warmth the show often exudes. Part of the fun is seeing the title character have new experiences, but the sense of appreciation for everyday things is rewarding as well. But the sheer insanity of the final story is the episode stealer.

Highlights from the three segments for me:

The short exchange between Chizuru and Eiko when the younger sister sent Nagisa to escort Ika shopping. A very nicely written bit.

The reaction to the box’s contents at the end of the first segment.

The warm fuzzies generated by the montage in the second story.

Realizing how none of the main females in the cast have a ridiculously buxom body that is so prevalent in anime. Eiko, Chizuru, Sanae, Nagisa, and Squid Girl have relatively normal body types. The appearance of the new girl brought that home, because she is the stereotypical anime girl in appearance.

I also liked the hint that the stereotypical beauty seems to be on the shy side in this episode. That final look back added an unexpected moment of poignancy to an otherwise gonzo story. We will see her again.

It seems the American voice actors have settled into their roles by this point in recording and I have to say they do a good job. The refreshing normalcy of the voice portrayals of Eiko and Nagisa stood out to me.

Bleach Ep. 10: Assault on Trip at Sacred Ground

After the somber events of the prior episodes, Bleach takes a breather and veers into a nearly pure comedy episode. A new character that may be the most despised in the series makes his entrance. But is he an idiot or an awesome idiot?

In some circles, there is no way more impressive to make in an entrance than parachuting into the scene. Fortunately, I do not belong to such circles. But Don Kanonji surely does.

He also dresses so flashily that pimps from the 1970’s would consider him garish. The idea of someone like him hurtling out of the sky toward me is enough to cause nightmares, but the audience assembled adore him. So who is this mysterious mustachioed man and what is he doing filming a show in Karakura Town?

Well, Don Kanonji is the most popular exorcist on television in Japan, watched and beloved by millions. That includes Ichigo’s friends and family, much to his horror. Poor Orihime initially fails to score points with the boy by repeating the exorcist’s catch phrase, “Bohahaha” – this due to some trauma involving spirits in his past.

But that does not prevent him from being dragged along with his family to the open set filming at an abandoned hospital. Which leads to my wondering just how the title of the episode fits. Is it a mistranslation or am I missing an aspect of Japanese culture?

Anyway, it is an abandoned hospital and all of Ichigo’s friends are there, including an especially annoying Rukia attempting to blend in with the humans. Annoying to Ichigo that is and quite amusing to the rest of us. But it would not be Bleach without something going wrong of a spiritual nature.

There is a ghastly howl coming from the hospital that Ichigo and Rukia can hear.  So can Chad, Karin, Tatsuki, and Orihime. Yet nobody else in the crowd can hear it. Hmm.

A further education on how Hollows come into being is given by Rukia, complete with full illustrations. One of the better running gags in the series, in my opinion, is her artwork. At this point, Rukia was slowly becoming one of my favorite fictional characters and part of it was due to the glimpses of her child like side from time to time.

So with the lengthy exposition out of the way, it is time for epic level idiocy on the part of our new hero, Don Kanonji! Yes, with the aid of his cane he sets very bad things in motion to the cheers of the assembled crowd.

Oh did I mention he really can see spirits and has some power for a lowly human? Either that or his fabulous get up conveys special abilities to him. Make your own jokes here; there are too many possibilities.

Comedy gold follows as Ichigo’s attempt to intervene goes poorly. If it was not for the unexpected appearance by Urahara, the substitute Soul Reaper would be on the sidelines for the rest of the episode. Kanonji isn’t the only one with a magic cane as “Hat and Clogs” demonstrates in a clever bit.

Freed to remind the viewers he is the hero of the show, Ichigo hauls the TV star into the hospital to do battle with the spirit unleashed. Filled to overflowing in confidence and bravado, Don Kanonji keeps trying to get Ichigo to leave. Yes, the man is a complete idiot. But he does have a compelling and unexpected motivation which involves the 25% of the country who watches him.

25%?! Okay, I should not blink, given reality TV’s hold on American audiences…

The battle is joined and if you ever wondered if Ichigo’s oversized sword could be a liability in battle, you will get your answer in a most satisfying way. We also find out Kanonji is not just an idiot, but a genuinely brave idiot. Lessons are learned, sort of, a new friendship is made, sort of, and the episode provides some needed information, sort of.

So is Don Kanonji an idiot? The answer is a resounding yes. Is he an awesome idiot? That is up to the individual viewer to decide, but I like the vainglorious fool. Oddly enough, he is one of my favorite characters in the series and even gets a major moment in the big plot many years later.

That said (or typed as may be), this is not one of the better episodes of the series. It is not a bad episode, merely fluff without any real substance. People may complain about filler arcs, but this straight from the source material is true filler. At least it is amusing.

Squid Girl Ep. 2, Season 1

UPDATE September 4, 2018

More DMCA take downs have hit the blog despite screen captures long being considered fair use. Due to my not being able to afford a lawyer, I have no choice but to remove them or have the blog suspended. Only the words will be left.

TVTokyo is proving to be foolishly draconian in targeting posts meant to get people interested in seeing the Squid Girl anime and perhaps even purchasing it on DVD or Blu-ray. Being anti-piracy myself this is infuriating that they are targeting posts I wrote hoping to encourage people to try out a delightful show.

More characters join Squid Girl’s expanding cast as the aquatic invader attempts to make sense of the surface world. A lifeguard gets her attention, she gains an admirer, and fireworks ensue -- but not necessarily in that order.

Aren’t We Squids of a Feather?

Starting off with a spoof of Baywatch makes sense for a comedy set on a beach and it is made all the better after it is revealed to all be in the head of the local life guard. So enters a new character, Goro.

When the pretty girl he is chatting up notices someone in distress, he springs into action. Wait… Is that Squid Girl out there flailing madly? Apparently she forgot to stretch her tentacles before entering the water and suffered a cramped one.

Yes, I know what you are thinking and it is addressed in a most amusing way. But back to Life Savers… err, Squid Girl.

One quick rescue later, Goro is horrified to find out that he has rescued a monster from the sea. Fortunately, Eiko and Takeru are present to explain things. Well, as much as you can explain someone like Ika Musame. We also find out that Goro has quite a crush on Chizuru.

Oddly enough, the life guard and invader hit it off when they both reveal themselves to be protectors of the sea. But their ideas of how they protect the sea are just a bit different and a falling out is unavoidable. Squid Girl decides there isn’t room enough for two protectors….

Hijinks ensue and a serious moral lesson is learned in the end; something not unusual with this show.

Consquidilations?

The second segment is about something everyone can relate to: birthdays. Puzzled by the spectacle of a family having a birthday party at the Lemon Beach House, Squid Girl wants to know just what the squid is going on. Once she finds out what a birthday is and that it involves cake, gifts, and attention, she pitches a fit.

Yes, it is time to declare it is her “hatchday” and demand a celebration. Chizuru thinks it is a great idea, much to her younger sister’s dismay. So preparations begin with locking Squid Girl in a back room to keep things a surprise. Ever snoopy, her imagination gets the best of her as she overhears the conversations.

Hey, calamari is tasty, so I can understand her paranoia.

What follows is a nice illustration of one of the show’s best strengths, that of portraying those first time experiences from childhood. Amidst all the goofy comedy and slapstick antics are sweet reminders of how things we now take for granted were once magical. Do you remember what it was like the first time you tried to blow out candles on a birthday cake? How about the first time you played with fireworks?

It is all there, the good and the bad, but exaggerated which makes for great fun.

A feeling of family is also beginning to develop nicely. That is good, for dangers await the squidling.

Want to Swim Out and Play?

Sometimes danger comes disguised in the most innocent of packages. That is a hard lesson to learn growing up and a lot of adults never do. Take the two screen caps above, for example. One is of a cute little puppy and the other is of a sweet looking teenage girl. Which is the dangerous one?

Eiko’s friend, Sanae, brings her new pup to the restaurant to show him off. He is a big hit and an envious Squid Girl cannot believe that the dog is considered cuter than she. Ika is such a child in so many ways, good and bad.

Her demand for equal treatment leads to hilarious proof that you should be careful of what you wish for. It is an utterly silly scene that would not be out of place in an old Looney Tunes cartoon.

Hmm. I wonder what a meeting between Daffy Duck and Squid Girl would be like?

An invitation to visit Sanae’s place is made and this is where we find out why the series is rated for 13 and older.

Yep, we have just encountered a tired anime trope, that of the lesbian teen with a raging crush on a main character. Sanae’s attentions toward Ika are uncomfortable for the young squid and disturbing to Eiko, who doesn’t verbally pull her punches. Oh if that were only the problem with Sanae. When Eiko takes the puppy for a walk, Squid Girl ponders turning the air conditioned house into her invasion headquarters.

But who is the hunter and who is the prey?

Sheer lunacy, trauma, and shameless inkjet printing follow with a nice visual moment to wrap up the episode.

Thoughts

As I wrote earlier in the review, the reminders of magical moments of childhood is one of the things that makes Squid Girl such an appealing show to me. Genuine warmth can also be found between the comic bits, which make it more than just a gag show. That is why the middle segment was the one I liked the best out of this episode.

Ika Musame is an interesting character, with it becoming a little clearer that she is a good girl at heart, if obsessed with global domination. The relationship with Eiko is settling into something more like siblings. Specifically, siblings close in age who always fight with each other.

Sanae is very annoying. But beyond that, she is very creepy and while it is treated light heartedly stalkers are not that amusing to me. That is not to say this segment was unamusing, merely of questionable taste. That could be said about the character of Sanae, period.

The quality of the video continues to impress me greatly. For a lowly DVD to scale up as well as this one does on my 1680 x 1050 monitor is very unusual. It matches the quality of 720p videos I have purchased from iTunes, which is mind blowing. Keeping each disc to three episodes and keeping the quality high is probably the reason for this.

Bleach Ep. 9: Unbeatable Enemy

The conclusion to the Memories in the Rain mini-arc finds Ichigo face to face with a nightmare from his past and reveals just a little more of Rukia’s. Can Ichigo save his sisters from the fate that befell their late mother or will his anger lead to yet another tragedy?

I’ve always enjoyed the creativity of the individual episode title shots. Blink and you may miss them. Part of the fun of Bleach is the ever changing opening and closing sequences along with the different music themes.

With the cliffhanger of the previous episode yet to be resolved, things start with Ichigo rescuing Yuzu but unable to do the same for Karin. Back up arrives in the form of Rukia and the Soul Reaper sent to retrieve her.

One of the things about anime that alternately cracks me up and annoys me is the exposition that is shoe horned into fights. Both sides suddenly stop until the dialogue is concluded, then go back to fighting. It is like having Lex Luthor explain everything every other moment in a battle with Superman – but without kryptonite to keep him weakened. Call it the pro-wrestling effect, which is what it reminds me of.

So we get an entire conversation from Rukia, the Soul Reaper, and Ichigo while the Hollow just stands there and watches. Maybe he is enjoying the fact that he is a legend who is notorious amongst the Soul Reapers and has a name, the Grand Fisher. In the end it doesn’t matter as the stunning revelation that this Hollow is the one who killed Ichigo’s mother drives Kurosaki into a berserk rage.

The following fight does not go well.

Rukia backs up Ichigo with spell casting, which is delivered in a pretty display only to have little effect. It goes worse for the Soul Reaper who sacrifices himself to save Karin. There is no sense of fun in this particular fight, only well rendered grim desperation.

Oh and it is revealed that Soul Reapers are mortal and can be killed. That is an interesting little tidbit to go along with the fact that the Grand Fisher has killed multiple Soul Reaper’s over the past decades. Ichigo is completely out matched.

So of course the teen decides to take on the Hollow solo. The rain begins to fall, one of the themes associated with Ichigo throughout the series. Meanwhile, Kon finds it difficult to maintain acting like the boy as he and Isshin wait out the rain at a temple.

It isn’t just his own personal grief driving the substitute Soul Reaper. As he is fighting, images and thoughts of how hard it was for his sisters to loose their mother fuel his anger even higher. There is a relentless sense of loss underlying every moment of the episode.

For the first time, Ichigo takes serious wounds in Bleach. Watching in horror, Rukia wants to intervene in this private battle of vengeance, but flashes back to her life in Soul Society when a mysterious superior lectured her on how some fights are about honor.

Because of what happened then, she decides to hold herself back though it is killing her not to help. All she can do is hope he does not die.

Then things in the fight get worse as Ichigo finds his resolve shaken by an unexpected turn of events.

Thoughts

Memories in the Rain is a sad exploration of what motivates young Ichigo Kurosaki and the visuals of the episode are dark, dreary, and despairing. In some ways, he comes off as almost an anti-hero because of his anger and dour disposition. But here we are shown a  good reason for it and it adds some depth to the character.

The tantalizing snippets of Rukia’s past add to her character too. More mysteries lie with this woman, it is clear.

It strikes me that even the humor is muted in this episode, something unusual for the series so far.

BEWARE HERE BE SPOILERS!

 

 

 

 

The use of a copy of Ichigo’s mother by the Grand Fisher had to be one of the creepier moments. That creature is so disgusting in concept that it amplified the wrongness of her being used to counter the boy.

The idea that her last thoughts were absorbed and copied by the Hollow is interesting, because it implies that souls are actually devoured by these creatures. When her last thoughts prove to be more powerful than the Grand Fisher can control, it is a wonderful bit of dramatic irony. He is undone by a previous victim of his.

Masaki Kurosaki’s last thoughts were of her family and especially of her son, Ichigo. It is a touching moment when he hears how she felt about him and a pivotal one for Ichigo. With her love and approval empowering him, the boy manages to wound his opponent badly.

The lack of resolution to the battle and the Grand Fisher’s escape might bother those who tune in for the fights, but it was high drama. Not being able to avenge your own mother’s death is yet another thing to add to Ichigo’s adolescent frustrations.

Orihime’s thoughts about reaching Ichigo’s heart are repeated near the end of the episode. Her kind sweetness and growing devotion to the boy are gently handled in poetic fashion.

Notice the attention paid to the full moon in Bleach. This is another theme associated with Ichigo, one that becomes clearer much later on. People may slam Tite Kubo as a hack writer, but he is not as bad as they think. It may not be deep material, but it isn’t shallow. I enjoy the symbolism he slips in from time to time.

Well written is how I would describe the father and son scene between Isshin and Ichigo at the end. Unexpected seriousness and good advice from the usually manic parent is well executed, with the impression that this is the real man without his clown mask on. It is also clear that he isn’t over the loss of Masaki.

Rukia’s expression looks like something close to adoration there, doesn’t it? The Soul Reaper left while saying he wouldn’t want to “break up such a serious couple” earlier and the lines were not delivered in a sarcastic tone. Ichigo may be oblivious, but it appears he now has two girls interested in him.

The imagery of the final shot jumped out at me. Here is the full moon out with the rain having stopped. Ichigo and Rukia are looking at each other, with her in a higher position, nearly unattainable.  To what heights will Kurosaki have to ascend to reach her?

Squid Girl Episode 1 and Season 1 Part 1 DVD Set Review

UPDATE September 4, 2018

More DMCA take downs have hit the blog despite screen captures long being considered fair use. Due to my not being able to afford a lawyer, I have no choice but to remove them or have the blog suspended. Only the words will be left.

TVTokyo is proving to be foolishly draconian in targeting posts meant to get people interested in seeing the Squid Girl anime and perhaps even purchasing it on DVD or Blu-ray. Being anti-piracy myself this is infuriating that they are targeting posts I wrote hoping to encourage people to try out a delightful show.

A ferocious being from the depth of the sea sets forth to invade the surface world and wreak havoc on humanity in retaliation for pollution. Another Japanese giant monster movie? No, it is Squid Girl and she is here to dominate all you minnows! Well, if she could get over her shrimp addiction and pay off the putting a hole in a wall. It is squidtastic fun as we follow Squid Girl’s dealing with life in on the surface.

In late 2010, an anime debuted in the wee hours of the morning  (2 AM) in Japan and the world was never the same. A little heralded manga character suddenly became an Internet meme and amassed a cult following world wide. Her name? Ika Musame, or Squid Girl!

Each episode adapts three of the original short manga chapters, with each segment having an equally punny title. Be warned, Squid Girl is all about the puns, but interleaved with often witty observations about modern life. On to the review and Squid Girl’s weird and silly world, degeso!

How About an Inkvasion?

The show opens with a female voice ranting about the pollution in the sea and threatens an “inkvasion” of the human world. Ominous tentacles and a Jaws like camera point of view set a dark horror movie mood.

Which is promptly demolished by the aural assault on the ears that is the main theme. It is quite horrible the first time you hear it, but then it grows on you and I’ve become quite fond of it -- especially after reading the lyrics. The opening montage has quit a few spoilers for the series and makes it clear there will be no scares.

The creature approaches the beach, which is rather picturesque and home to a seaside restaurant, Lemon Beach House. Like Amity Island, the tourist spot has no clue what is about to hit it.

The creature leaps upon a table and makes a declaration of war.

The customers are stunned.

You would be too, if a blue haired girl in her early teens espousing world domination laced with fish puns interrupted your lunch. Alas, the waitress is not impressed and hauls the invader out back for a few choice words.

In back of the restaurant, Squid Girl explains who she is and why she is there. Thinking that she is just a cosplayer, Eiko listens to her demands and nicely tells her to go home. Showing the temperament of a Humboldt, Ika dashes in to tell her off only to be told by the gal running the place to take a couple of orders to a table.

Which she does without question.

The azure haired would be conqueror finds herself bussing the tables and quickly overwhelmed by the requests from the customers. A crisis follows causing her to remembers why she is there and it is time for another talking to out back.

It seems our little aquatic invader had miscalculated the number of humans in the world and can’t even handle 30 customers. The shock of finding out there are billions of humans is almost too much for her, but a mosquito turns into another challenge to her competence at warfare. Consequently, Squid Girl loses her temper and shows that she isn’t human after all in a hilarious battle to the death with the insect.

But there is collateral damage from the fight and her fate is not what she had expected. Now she is a waitress slaving to pay off the damage to the building.

What the squid?! This isn’t how inkvasions are supposed to go!

Aren’t We Brothers in Arms?

Settling in to her new job, Squid Girl finds herself being followed and one panicked encounter later has a willing soldier under her command. Sadly, he turns out to be Eiko’s little brother, Takeru. So much for relying on humans!

Spurned by the speciesist Squid Girl, Takeru comes up with a cunning plan. It involves paper and scissors, mistaken identity, and the gillibility of certain squid.

With a willing comrade in arms, what could go wrong? Well, err… lots?

Who’s the Mightiest Squid of All?

In the final segment, Squid Girl’s many faces are shown to great comic effect when things move to a horror movie like setting of an isolated Lemon Beach House. How can it be isolated on a busy beach, you ask. Rain. That foe of fun in the sun has driven all the customers away.

But it does give Squid Girl a chance to ask who the gal with the gill long hair is. She knows that the woman runs the place but is clueless otherwise. It turns out it is Eiko’s older sister, Chizuru.

The cold temps trigger a sneeze from Ika and that sprays ink all over Chizuru. She takes it calmly and goes off to shower, leaving the place in the care of Eiko, Takeru, and Squid Girl. Ah yes, the old divide and conquer opportunity arises. But first, the young invader (or is it inkvader?) is horrified to find out that squid ink is used as a sauce for spaghetti. Even worse, squid meat is consumed with it!

It is eat or be eaten time!

Easily besting the two kids, Squid Girl gloats when Chizuru of the ever closed eyes returns. One final boss to beat and it will be INVASION TIME!

So begins the tales of Squid Girl and her attempted invasion of humanity. Loopy, silly, filled with puns and more than a little sweetness, Squid Girl has to be one of the most improbable hits in anime history. Episode 1 does a good job of setting up the main characters for this slice of life comedy, degeso.

Thoughts

Squid Girl is great fun and always leaves me with a smile, which is something I have come to value more as I have grown older and the world darker. A lot of comedies could learn from this adaptation as it shows impeccable comic timing in direction and line delivery. That made it something of a worry when I read it was going to come out with an English dub on the DVD alongside the original Japanese.

While I still give much higher marks to the voice actors of the original, the American cast does a good job, especially the voice of Squid Girl. Though she doesn’t have quite the bombast when Ika is in scheming mode, the voice actress has caught her character well. The puns are slightly different than in the subtitles, but all are witty and convey the charm of the original.

The decision to dub should broaden the audience and that is a good thing. Everyone could use a little Squid Girl in their entertainment diet. Or at least squid ink spaghetti.

The show is aimed at teenagers and older, not little kids. In fact the case says “13 AND OLDER” on the back. But there will be things that will amuse younger ones, so I leave it to the discretion of parents to judge for themselves whether their kids should see it.

Technical

The 1:78 anamorphic widescreen transfer is gorgeous and I hope the screen captures show that well. Since there are no plans for a Bluray release in the States, this is as good as it gets.

Sound is good, with Dolby Digital surround actually using the rear speakers at times. That kind of surprised me, since this was a relatively low budget anime.

Language options include English, English with subtitles, Japanese, and Japanese with subtitles.

On Disc Two, extras are found which include:

Textless Opening

Textless Closings for all six episodes (subtle visual changes in each), but you can’t choose to watch them individually.

Interview with Hisako Kanemoto, the Japanese voice actress who plays Squid Girl.

Hat Folding video which is a continuation from the interview. Fans on the Internet figured out how to make Ika’s hat like Takeru did.

Trailers for other titles put out by Media Blasters. WARNING: the first preview is of a smutty series and is out of place on this set.

The DVD Case:

Oddly enough, this is the second time this month I feel that the presentation of the DVD case merits mentioning.

First off, the layout is rotated ninety degrees, which is very unorthodox. But given how off kilter Ika Musame’s world is, it seem appropriate. It also allows the whole cast to be shown and the art conveys the lively energy of the series.

The second thing to note is something I noticed when I found Disc 2 rattling loose from shipping. Take a look at the center plastic holder for the DVD. The prongs are Squid Girl’s tentacles! Very clever.

The case itself has a chemical smell to it, but I imagine that will pass in time.

Media Blasters and Anime Works deserve a lot of credit for putting this out in the first place and even more for the quality of the DVD’s. Nobody expected this to be a hit, not even the producers of the show. I for one, would like to thank them for helping us submit to our new squid overlord.

And so in tribute I will leave you with 8 bit Squid Girl from the opening to admire:

Bleach Ep. 8: Memories in the Rain

The action anime shows it is capable of being something much deeper in this classic episode from the first season. As the tragedy that shaped Ichigo Kurosaki is fully revealed, an old danger threatens his family and a new one threatens Rukia.

Bleach can be an exasperating show simply because it occasionally reaches emotional heights it has no right to. Because of that, it can be frustrating wading through the lesser material while waiting to see it do something amazing again. Somehow I think P.T. Barnum would approve of how the original author and animators string along the audience that way. Memories in the Rain is one of those stories that keeps fans coming back.

The ending of the previous episode is an integral part of the story continued here and this serves as the middle act with the next episode completing it. So it is difficult to review it as a single episode.

Things begin with a glimpse of the ghastly netherworld of shadows shown sparingly earlier in the series. The voice of the mysterious mastermind Hollow is heard as he decides to go to the mortal world himself rather than dispatch minions. I have to say the theatrical voice employed for the character fits perfectly.

While that is going on, we see Karin and Yuzu hiking up a steep street with their brother and father trailing behind. Isshin plays the family idiot as usual but this time it is Karin who takes him down with a single kick. But the comedy is short lived as the walk to the cemetery is interrupted by a sudden appearance of Rukia.

The diminutive Soul Reaper wants to know if a Hollow killed Ichigo’s mother. It is a tension filled scene as Ichigo’s emotions boil over and he claims that he was the one who killed her. A shocked Rukia lets the teen leave as she tries to process what she has been told.

Following up on the moody scene in Episode 7, Orihime wants to know more about her crush and Tatsuki fills in some of the blanks of Ichigo’s past. When they were little, she used to beat up Orihime’s “super hero” at the dojo they studied at. Back then, the orange haired boy was a happy smiling kid who wasn’t the least bit tough. But everything changed when his mother died.

It is a lovely character building scene between the two girls talking and the flashback.

Rukia is upset with herself for prying to deeply into Ichigo’s pain and I particularly liked the visuals used to convey this. Her body language says more than her voiced over thoughts. Yet it is her past that is catching up to her, not Ichigo’s when the Soul Reaper seen at the very end of the last episode shows up to confront her.

But it is Ichigo’s tormented memories that make this one of the greatest episodes of Bleach. Here we find out why rain is associated so much with his soul, as he relives the fateful day his mother was murdered. And yes, he is responsible for her death. Back when he was nine, he couldn’t tell the difference between the living and spirits, so when a little girl jumped in the river…

With the death of his mother, the heart of the Kurosaki family was ripped out and everything changed for them all. Damage was done to each and the repercussions still show in the family.

Rukia’s past is starting to be revealed as well by the strange Soul Reaper who fancies himself something of a comedian. It turns out the he attended the same academy as she did in Soul Society. Sadly for him, she doesn’t have a clue who he is. So much for being the funny one in school!

So Rukia turns out to be from a noble family, but adopted in. This appears to make her an outsider at the Soul Reaper Academy. It looks like more is to come on her.

Here things begin to go bad as it is made clear Rukia has broken a very serious law of Soul Society by giving Ichigo her powers. This is compounded when the boy shows up to rescue her and the battle begins with an opponent out of his league.  However this is the least of their worries.

Ichigo’s past has caught up to him.

Thoughts

One thing going for Bleach is the interesting and well written characters. There can be no substitution for character development in my opinion and this show has it in spades.

Memories in the Rain also manages to convey serious drama amidst the action and comedy in a very effective way. I remember watching this and being floored by how emotional it was. As a result, I committed to watching this series.

Interestingly, this story was used as the “pilot” for the series and was shown as a stand alone video in Japan at a convention. It is also a pretty episode, with the art conveying the past really standing out.