Rebooting a film franchise is always divisive, however this bold reinterpretation of Superman’s origin may qualify as one of the most controversial in cinema history. Big, brashly violent, and unabashedly emotional this is definitely not the Christopher Reeve’s superhero that so many have fond memories of. Instead it is a science fiction story about what it would be like to be a perpetual stranger in a strange land while trying to find your own unique identity.
See the title above? You won’t see that until the movie ends. Nothing is allowed to get in the way of this freight train of a story that hurtles through the two and half hours the movie runs. Contained within is a densely packed journey of discovery alternating with loss combined with all the repercussions of finding out alien life exists and may not be friendly.
Don’t expect much comic relief in this very serious take on the first comic book superhero. It stands in stark contrast to the relatively cheery 1970’s Superman film series.
Like Richard Donner’s classic from 1978, the movie begins on the dying world of Krypton somewhere far off in space. Hans Zimmer’s masterful soundtrack thrums away before giving way to a heartbeat of a baby being born. Amidst the decay of a spent people, Jor-El (Russell Crowe) and his wife Lara (Ayelet Zurer) have done something not allowed in hundreds of years: they have had a baby by natural childbirth rather than artificial engineering.
