The Blog Layout: Opinions Wanted

One of the mysteries of blogging for me is what layout is the most useful to readers visiting From the Sidelines. As a result, I'm always tinkering with what's presented with only some feedback from trial and error showing vague patterns in analytics. Also a factor is a desire to make the blog load faster on smartphones and tablets.

Since people rarely used the category tags to look for related posts, I used the page function on Blogger to make index pages though it wasn't meant for that usage. It was a rare dramatic success at improving the site and they get used far more than expected.

Over the years, I've eliminated some things such as links to other blogs since nobody ever clicked on them. Right now there are a couple of sidebar items that I'm thinking of axing. One is the Hall of Fame and the other is the Most Read Recently. Both use Blogger widgets that are not accurate thanks to referral spammers.

An example of that distortion is my review of Varan the Unbelievable. According to Blogger, it has 769 pageviews. From StatCounter and Google Analytics, I can tell you it doesn't even have a tenth of that! So there it sits at the top of Most Read Recently at the time of writing at this post and it should not be there.

UPDATED:  They're gone. The ghost hits on Varan got out of control today, so something is seriously wrong with Blogger statistics. Google has really failed badly at making those work correctly which is slightly ridiculous given what their forte is supposed to be.

Because of this, I'm looking for some input from visitors to this blog. What part of the layout here do you look at and use?

I've added a contact form to make it easier to answer if you don't want to publicly post and it can be found at the bottom of the right sidebar. Please feel free to comment here too. I'm very curious about what works and doesn't work for you here.

Zombie Spam

I kind of wish the following referral spam had shown up in October so that I could have had a Halloween themed commentary. Instead it arrived in the middle of September. But hey, the undead always show up at the most unwelcome of times – sometimes repeatedly. At the time of writing this, http : // jetsli . de / crawler has shown up fourteen times in my Blogger stats for the day.

Using my trusty virtual machine running Windows XP, I checked out the link safely. Remember kids, don’t try this at home!

What showed up was a classic dead domain, which was mildly disappointing. Since the spammer had let the domain lapse, there wasn’t much evidence of what kind of money making scheme had been involved.

So I clicked on a couple of links anyway.

Varan the Unbelievable (1958) Review

aka Daikaiju Baran

When Toho Studios was approached by an Americans network to make a giant monster TV movie, they turned to the crew who made Gojira and Rodan for the debut of a new kaiju. With a lower budget than the previous monster movies, Varan was meant to combine all the aspects of all the previous kaiju into one monster. That was either going to be biggest success yet or an epic failure. What do you mean you’ve never heard of Varan? He’s unbelievable! That much I’ll agree on…

If you have even heard of Varan, you are probably thinking of the U.S. version that came out four years after the Japanese version. According to what I’ve read, it only has fifteen minutes of footage from this release and is a mess. After watching the origininal three times in a row, I want to say that might be an improvement. Buckle up, this review is going to be a bumpy ride.

See that above? You’ll never see that on another Toho film. That was a one off marketing gimmick before they settled on Tohoscope for their widescreen movies. It was the fact that Varan the Unbelievable was the first kaiju film to take advantage of the new format that made me want to own it.

Whereas Rodan was the first in color, this lower budget film was commissioned to be in B&W by the U.S. network. A good chunk of the movie was filmed in standard 4:3 before the decision was made by Toho changing over to anamorphic widescreen for a theatrical release domestically. They ended up cropping the early footage to match the anamorphic. So if you think some of the shots vary in quality, your eyes aren’t fooling you.

Alright, enough with the background, let’s get to the story!

The best part of the movie occurs at the start, which consists of the main title flashing by in front of a scary looking statue before fading into credits scrolling over a matte painting. What’s so great about that, you wonder? The theme. Composed by Akira Ifukube it combines his typically dark sound with chanting to create a sinister sense of urgency that would have fit in a serious horror movie of the period.

Sadly that ends and the movie really begins. Since this is a story about a giant monster, we get treated to the sight of a rocket blasting off. What does it have to do with the story? Absolutely nothing. It’s there just to look cool and take advantage of the space race hoopla beginning.

Next we meet a scientist, the dramatically coiffed Professor Sugimoto (Koreya Senda), lecturing some of his assistants and the audience directly. This partial breaking of the fourth wall does not happen again, just like the rocket launch. Oh and before I forget, the subject was butterflies, I think.

A Dirty Atmosphere

The time had come around to make the annual trip to the Minnesota Renaissance Festival this past Saturday. A somewhat smaller group went on the 2013 trip and while the company was good, the festival was disappointing this time out. More on that at the end and why parents should no longer be taking kids to this event.

 

It was a rare hot day with only a few wisps of clouds in the sky in the draught stricken area. After finding our way from the unfamiliar Queen’s parking lot, we emerged near one of the outer rim theaters. An amazing increase in temperature accompanied the emergence and only the occasional breeze floated through to make things bearable.

Only problem is that dust and dirt came with those pale attempts at gusts.

We headed straight to a glassware’s shop, Ould Glass. Having gotten lost on the way up as is our tradition, we were a little late for the main attraction, caber tossing. However, a glass blowing and sculpting demonstration was announced, so in we went. While shaded in the back, it wasn’t exactly cool there with the furnace going.

More Linkbucks Connected Spam

Some more referral spam has shown up on Blogger and one provided an unexpected connection to two earlier ones. The first was reported by commenter Charlotte and arrived as 0288c729 . qqc . co which leads to Linkbucks again like a link that started with ceae2122.

So what do you get if you click on that odd string of numbers and letters?

First up is an ad telling you that you absolutely need to download a download manager. Yeah, like that won’t lead to bad things on your system. Remember kids, don’t try this at home and don’t trust strange links. Never click on anything you don’t already know and that includes things sent by trusted friends.

Remo Williams: The Adventure Begins (1985) Review

When a cop is forcefully recruited into a secret government agency, he finds himself facing danger unlike anything he’s dealt with before. Even if those threats don’t kill him, he may not survive the assassination training by an eccentric ancient martial arts master. Sounds pretty serious, but the focus us more on laughs and the interaction between the leads.  The end result is a very uneven film with a uniquely goofy charm that sets it apart from your run of the mill action movie.

This movie about a rookie assassin launched into the crowded 1980’s action film glut failed to generate a box office killing and became something of a minor cult film instead. That’s appropriate since this action comedy was based on cult series of pulp novels called The Destroyer. Originally conceived as a spoof of James Bond and Bruce Lee movies, the novels veered off in another direction around the third installment when they became a very politically incorrect satire of absolutely everything and anything.

One of the fans of the series was Dick Clark of American Bandstand fame and he banded together with other producers to try to adapt the very irreverent and more than R-rated materiel into something for the masses. Hiring the famous James Bond movie director Guy Hamilton promised that the action would be well staged, but could they capture the odd style of the books? Well, there’s only one way to find out…

Asian inspired music opens the credit titles with accompanying glimpses of a very strange structure adorned with television antennae. Never explained in the film, this is a brief look at the home of a certain character from Korea built by many architects from around the world over the centuries, hence its hodgepodge appearance. It is a symbol of one of the bigger problems of the movie has: omitting explanations for the background concepts presented.

Normally I’m one for not having everything explained in a story. In fact, I find it very insulting. However, there is a minimum needed to bring people along who are unacquainted with the source material. This movie just manages to miss the required amount. Still, it is a nice “Easter egg” for fans of the novels.

A Sound Decision

Little did I know that I’d end up with some quality headphones within a few days after my last post. Research had led me to AKG’s K 240 being the best performer for my auditory tastes while not spending hundreds of dollars. However, I kept digging due to a feeling I hadn’t considered every option. Wandering about the audiophile side of the Net I ran into something that was too good to be true: under $50 headphones that rivaled $150-1500 cans. But the more I dug into the phones it became clear this wasn’t a come on or mass delusion. UPDATED 8-29, see below the fold.

Enter the Superlux HD681’s which I purchased for just under $32 U.S. from Amazon.

These are full size circumaural (enclose the entire ear) headphones with a phenomenal range of 10-30,000 Hz. Nobody wears these to impress anyone for they are the cheapest looking plastic affairs I’ve ever seen. Muted red plastic trim adds to the dullness of appearance.

Fortunately, they are anything but dull in sound. Absolutely amazing range with deep yet controlled, bass, sparkling mid-tones, and extreme highs. The latter can be too much depending on the kind of music played and many will probably want to use an equalizer to tone down the high frequencies.