In the history of cinema haunted house movies are a dime a dozen, but this one stands out due to its sober tone and character development. While written by an American, it maintains a very stiff upper lip while following a four person research team looking into the possibility of life after death. To do that, they must visit a mansion that killed most of a previous attempt twenty years before. Welcome to Hell House, where death, mystery, and eerie events take back seat to something far more frightening – sex.
The 1970s were a period of transition in films with a lot of experimentation taking place. In some ways, the decade in filmmaking was a hangover from the changes that took place in the late ‘60s. That was when the old studio model fell apart and directors began to push the bounds of what had been considered acceptable in the name of art. Horror films were not immune to this and the genre started to go toward shock and gore, but not quite to the extremes that culminated in the Friday the 13th and Nightmare on Elm Street movies of the ‘80s. So there was yet room for thoughtfully creepy movies and The Legend of Hell House is one of the better examples of that approach.
I have to say, haunted house movies are near the bottom of my list of films to watch. They have never appealed to me, perhaps because I have lived in old farm houses most of my life. Odd sounds and creaks are part of the personality of aged wooden structures, so you get very used to them. So it was with some surprise that this movie gave me the creeps when I was a teenager. In fact, it is the only one that ever has since I hit double digits in age. Puzzled by this and feeling nostalgic, I purchased the DVD last month to figure out why.
The opening is a throwback to bygone years, featuring a statement by a Tom Corbett claiming to be a psychic consultant to royals in Europe. A little research revealed that he was a co-author of a book called The Dreamer’s Dictionary, so he really existed. It helps to remember that the 1970s pop culture saw the birth of the New Age movement as people turned away from organized religion and naval gazing began to dominate Western thought.
So this little placard instantly added bona fides to the movie and was a clever move by the filmmakers to set the mood. Cold and stark, it suggests what you were about to see might be real. Back in the early days of the Web, I found info that it was based on a real incident and there really was a “Hell House.” Of course that was not true and you shouldn’t trust what you read on the Internet, but it is a fact that it was adapted from a Richard Matheson novel by that name.