Just Say No to Monday!

At least that was my reaction to today. After having a good week, it figures something bad was coming. The car that finally got its brakes fixed in time for me to go to church on Sunday is now out of commission. My father hit a deer and crumpled the front end again and the shattered the left side headlights. There is simply no winning right now.

I’ll post photos tomorrow after I take them. For some reason I am feeling motivated to get a 12 gauge shotgun for next deer season…

I had plans made for the week that are all now impossible, so it is time to be a shut in again. Loss of transportation equals loss of life to poor rural folks and is something hard to explain if you aren’t experiencing it yourself.

Now I don’t have any excuse for not posting, drat it.

So one giant monster movie review is coming. The monster is giant, not the review. After that, I should do something for Christmas, shouldn’t I?

Kim Jong Il Has Died

The oppressive dictator of North Korea has escaped mortal justice and now the jockeying for power in the communist country begins in earnest. It is not surprising to see the markets in Asia going down out of fears of instability. One can only pray this offers a flicker of hope for the North Korean people.

It is difficult not to contrast his “accomplishments” in contrast to those of another leader who just died, Vaclav Havel. One died while clinging to power by starving his own people and the other died after having helped usher his country into democracy. If only there could be a Velvet Revolution on the Korean Peninsula, but I am afraid that is highly unlikely.

Friday Already?

This week has zoomed by. Perhaps that has been a penalty for things going better. We humans have a tendency to remember and dwell on the negative more than the positive, so time appears to fly when things go well.

Late last night I updated the Summer Wars review. While changing it to include the Blu-ray version, I found way too many errors that slipped past me when I originally posted it.  Very annoying, especially the misspellings of names. Repeat viewings of the movie only make me fonder of it and have now led me to buy a deck of hanafuda cards off of eBay today.

An attempt to get a microphone working with my Asus Xonar D1 audio card failed miserably. The best I could get out of it was static humming through the subwoofer no matter what I did. It is the one flaw of the card that if you do not have a front panel hooked up to it you have to use the SPDIF/Line In/Microphone jack in back. Way too many functions assigned to the hybrid 3.5mm and optical jack.  So it looks like a USB microphone is a must buy.

On a brighter note, I have found obsolete CPU’s for my living room multimedia center have gone down in price online. It will be possible to put a faster processor in there after all. No hurry though, it will be awhile before there is a HDTV to hook up to it.

The brakes have finally been replaced on the car with only a concern about brake line pressure. It is a minor thing that can be rectified if it doesn’t resolve on its own. It will be nice to have some freedom to get about again.

It still amuses me that Bleach and Citizen Kane are the two most heavily trafficked posts on the blog. Quite a contrast, eh? I blame the two animated gifs that became Internet memes.

Feeling the tired beyond my normal tired today. That means watching some giant Japanese monsters beat on each other is in order.

Odds, Ends and In-betweens

This has been a good week so far and it is Wednesday already so that means the majority of it has been good. It has been awhile since I could say that.

Sunday I got a ride to church and hung out with a young friend of mine and his girlfriend as we got his fancy new Onkyo home theater system to play nice with his new PC. A spare optical cable I had lying around turned out to be key in getting the signal out to the receiver. The Phillip's one he bought at Wal-Mart refused to convey a proper signal, so we decided it was probably defective.

Monday I bought an upgrade to the Cyberlink PowerDVD player that came with my Blu-ray drive since I was liking what it was capable of but wanted more features. PowerDVD 11 Ultra is a very nice upgrade and I am currently playing with its TrueTheater HD upscaling versus the capable ATI Avivo of my videocard. Depending on the video, it seams to do a better job when the content is of lower quality. More testing is needed before I can conclusively say more, but it is promising. It is now my go to video player for all formats.

Sorry, VLC – you have really fallen by the wayside of late.

That cheap optical cable I mentioned before?  Well, shockingly it turned out to work with the Razer Barracuda soundcard on my living room multimedia center PC I built with leftover parts a couple of years ago. Dolby Digital Live and DTS Interactive sound fantastic coming out of it, which breathes new life into streaming content from Hulu, YouTube, Crackle, and other places on the Web. All I can surmise is that the Barracuda pumps out more light than the Asus Xonar D1.

Tuesday my father and I had lunch with a friend from out neighboring county in Houston at the Crossroads Cafe and caught up on politics. I also encountered an amazing hashbrown omelet that was not only huge but had everything wrapped in the hashbrowns. I am still digesting it a day later.

Today we ate at the same place when we met with our State Representative, Greg Davids. It is going to be a strange election year for many reasons, but redistricting due to the census makes it weirder than usual. We do not know for sure where the districts will be until the courts rule on them. Hopefully, they will be more logical than the last court imposed ones from 2000.  Odds are that I will be in the same district as Greg, but the state senate is another question. I will hate to lose Jeremy Miller as my senator if it goes the way I suspect, but that’s life.

Now for something more sobering.  I have to agree with Glenn Reynolds last sentence. These are fast becoming perilous times when you cannot trust the election process anymore.

Over in Belgium a mass shooting took place that got next to no attention here in the States. So far it appears the shooter being a drug dealer about to go to prison again is the motivation, despite his Moroccan origins. The fact he was not a practicing Muslim indicates it wasn’t sudden jihad syndrome, but why did he have grenades and 9500 gun parts? It makes me suspect he dealt illegal weapons on the side to other drug dealers and criminals. Even the craziest of gun nuts do not have that many parts lying around.

In my opinion, Europe is slowing losing control to criminals due to their pervasive statism and gun control laws. Look how well those laws worked with a convict having possession of that kind of arsenal. There is always a way for criminals to arm themselves – always.

My prayers go out to those wounded and the loved ones of those killed.

Bleach Ep. 13: Flower and Hollow

Orihime gets another turn in the spotlight as the duel between Ichigo and Ishida continues. Also returning is the horror movie vibe as the teen’s high school is besieged by a Hollow with some very interesting powers. But a lot more than that happens in this packed episode that shows off most of Bleach’s strengths and none of its weaknesses.

In episode 12, Chad and Karin got their chance to shine as they teemed up to defeat a Hollow. In the process, we got a glimpse of the Mexican-Japanese boy’s past and motivations when they triggered supernatural powers in him. But he was not the only one Ishida hinted about having spiritual powers…

Picking up where the previous episode left off, broken windows get the attention of Orihime, Tatsuki, and Chizeru at the high school. Ever conscientious, the redhead rushes over to clean up the mess while her friends fight. Or more accurately, while Tatsuki defends her friend’s honor against the advances of the annoying stereotype girl.

That does not matter to the gentle girl, for she senses something evil is lurking on the rooftops and wants her friends to leave – now. Realizing that Orihime can see it, the Hollow confronts the now very frightened girl about this ability. Chizeru is hit by a strange projectile from the monster and starts losing control of her body. To her horror, she is being made to attack the object of her crush.

While that after school special gone terribly wrong continues, Rukia is trying to figure out where everyone is and Ichigo is still cutting a swath through the numerous Hollows. But it is Ishida’s thoughts that are the most interesting. A flashback to when he was a small child learning to use his Quincy powers from his mentor reveals much. This is where we find out his real motivation for precipitating this crisis and a hint that he is not the villain he appears to be.

Back at the high school, the situation takes a George Romero like turn when the Hollow enslaves all the students and sends them after Orihime. It is a dark and creepy sequence, filled with odd camera angles making it effective. But in typical shounen style Tatsuki reappears to save the day and give us a very well choreographed fight.

For all her heroics and bravado, she is destined to fail against a foe she can barely sense. Hit by a “seed” from the Hollow, she is felled. Despite her iron will that allows her to resist the seed, multiple hits place her under the control of the creature.

Seeing her friend taken over and in misery triggers a flashback for Orihime that shows us how they first met. Having been badly bullied for having red hair, the sweet girl had her hair shorn by her classmates. It wasn’t until after meeting and becoming friends with Tatsuki that she regrew her trademark locks.

Angered by best friend’s suffering, the red haired beauty stands her ground and vows to protect the one who has protected her for so long. Her signature hairpins glow as her anger rises. An explosive whirlwind of spiritual energy forms around the girl and scatters the possessed high schoolers leaving a fierce looking Orihime at the center of six winged objects.

As is typical of a fighting show, the fight stops to allow introductions and conversation. Yet this manages to be even stranger than that usually is, because suddenly we are dealing with fairies. Very chatty ones at that.

Actually, they do not like being called fairies. Introducing themselves as the Shun Shun Rikka collectively and giving their individual names, they explain they are creations of her power due to being around Ichigo. All of this exposition overloads the girl’s mind.

Having sprung forth from her soul (and hairpins), they know how to handle the strange girl and quickly teach her their three abilities: forming a protective shield, a healing barrier, and a killing attack. Now empowered she takes the fight to the Hollow in convincing fashion before collapsing from the strain. Later she awakens to find herself in a strange place with a familiar face.

So ends Orhime’s fight, but what of the others?  Ishida is tiring from the battle with both hands bleeding from the strain of firing his supernatural bow. While of this appears to be his fault, there are too many Hollows appearing compared to the size of the bait he used to summon them. Something strange is going on.

Rukia joins the fight only to find she is still too weak to do much. Weaker than she should be at this point in her recovery, in fact. Before she can dwell too much on that, Kon joins the fray by saving her in comic fashion.

Soon after, Ishida and Ichigo appear on the scene and once again the duel picks up in intensity. Secrets are revealed, more are hinted at, and an ominous sky warns of further trouble.

Thoughts

I liked this episode especially for the character development of Orihime. Rather than being the typical air headed beauty, she is a more complex person as previous episodes have shown. While not being a fighter in temperament, she is as much a protector as Ichigo Kurosaki in her way. Possessed of a gentler spirit, she is a welcome break from all the aggressive personalities in the cast.

Female characters are not often written well in shounen animes, but Bleach has some very good girls and women in the cast. Most show some depth and distinct personalities, with Chizeru being the exception. She is there for comic relief and nothing else. Orihime, Tatsuki, Rukia, and Karin are believable characters and quite likeable. Strong females are always a plus in my book.

The slow reveal of Ishida’s motivations is well executed and he is getting more interesting by the episode. Despite what they say, it looks like he and Ichigo are enjoying competing with each other way too much.

The fights are well done, but it is the characters that keep me coming back to watch this series. It is hard to believe I just watched the 451st episode last night!

Something I only noticed on this viewing was the theme of flower versus flower. The Hollow is very much a flower in design down to shooting seeds that take over bodies by growing through the body and there are Orihime’s flower hairpins. Even the Shun Shun Rika are flower based in appearance.

Wikipedia May Go Blank in Protest Against Bill

There is an odious piece of legislation called SOPA (Stop Online Piracy Act) being pushed in Congress right now that jeopardizes a large amount of the Web. Wikipedia is considering blanking their pages in protest of this corporate paid for bill. Intellectual property (IP) rights have gotten out of hand as failing movie and music industries try to stem the bleeding in lost profits. Instead of blaming their very poor products for the decline, they would like to censor the entire Internet in pyrrhic fashion thinking it would up sales.

While legislation against pirate sites is a reasonable goal, this implementation is dangerously excessive. Wikipedia would go under due to it and many a blog would as well. Linking to photos, pictures, and articles would be potentially criminal under this law. That kind of kills the whole concept of the Web, doesn’t it?

It is not the only attack on freedom of speech online. A recent ruling against a blogger by an Obama appointee is a direct attack on the idea of the “citizen journalist” that has flourished on the Net. Not a good precedent, but one I had been expecting for some time. The desire to control others gets stronger the bigger a government gets.

I can only hope this bill fails, for it will be a disaster for free speech not just in the United States.

Zulu Soundtrack by The City of Prague Philharmonic

John Barry’s soundtrack for Zulu finally gets the justice it deserves in this lavish rendition in HDCD format. Also included are tracks from many of his other movie scores on this two disc set that spans most of his career.

In these faltering times for classical music and orchestras, The City of Prague Philharmonic has carved out a niche by redoing film themes and soundtracks under the direction of Nic Raine. The best modern recording technology has been employed for maximum clarity. Often the result is superior to previous recordings and occasionally Raine’s arrangements are simply better than the original.

A few years back I discovered one track from Silva Records 1999 double CD Zulu set online and that led to me buying quite a few tracks performed by the Philharmonic of various film themes. But I wanted to get this CD and only recently did I find a used one in the price range I am miserly so fond of.

Upon receiving it I was delighted to find that while the case had a light crack, the CD’s were immaculate. Even better, they were in the relatively rare HDCD format. After setting up Windows Media Player properly, I could hear a difference between it and my normal Media Monkey playback. Decent speakers and headphones are a must for this, otherwise you will not be able to tell the difference. But how to rip the CD’s and preserve the 20 bit quality?  DBPowerAmp to the rescue and I used its demo to rip the tracks to FLAC.

Further adding to the quality of Silva Records issue is a nine page booklet packed with liner notes on the tracks. Insights into Barry’s process on each film answered some questions I had while listening to the compositions and that made listening even more enjoyable.

On to the tracks. What I wrote about them in the review of the Ember release still applies, so you will want to read that first.

Disc One:

1. Zulu Main Theme/Isandhlwana – The much richer sound and impeccable clarity are noticeable immediately.
2. News of the Massacre/Rorke’s Drift Threatened – The drums really stand out more with the strings and horns benefiting greatly from the digital recording.
3. Bromhead’s Safari/Wagons Over – The addition of the short intro for Michael Cain extends this track in a lovely Copeland-like passage.
4. “You’re All Going to Die!” – One of the missing pieces it features ominous strings reminiscent of Barry’s Bond compositions. It is a much better segue into the next track than Wagons Over.
5. First Zulu Appearance and Assault – Compared to the original, the strings shine and the harp is delicately pristine. It makes the Ember release sound muddy.
6. March of the “Men of Harlech” – The Crouch End Chorus led by David Temple sing the full song acapella and it is a fantastic addition that is just as stirring as when the soldiers sang it in the movie.
7. Durnford’s Horses Arrive and Depart/The Third Assault – This shows off what a modern recording does for trumpet and brass in general.
8. Zulu’s Final Appearance and Salute – The HDCD wider “soundstage” allows you to place where almost every instrument is. Superb.
9. “Men of Harlech”/End Title – Once again, fantastic.
10. The Girl with the Sun in Her Hair (Sunsilk TV Commercial) – Composed for a 1967 shampoo commercial it reminded me of Barry’s work on From Russia with Love. It is classic 1960’s soundtrack far and is quite good. Too good for a commercial!
11. The Specialist: Suite – A compilation of music from Sylvester Stallone’s 1994 action movie it was a rare outing into action films post Bond. In some ways it sounds like he was trying to reach back to his hey day and it turns very jazzy two thirds of the way in. Sadly it is not memorable.
12. The Cotton Club: Suite – Now this is fun. Getting back to his jazz roots, Barry composed a very George Gershwin style soundtrack in 1984. The first third features a playful piano and smoky sax, the middle darker and noirish, and ending in a mournful theme. A very good bit of music, indeed.
13. King Rat: March – Very military and strangely upbeat it does what a march is supposed to do – move your feet. It fits the 1965 film’s POW setting well.
14. The Tamarind Seed: Suite – Since no soundtrack was ever released from the 1974 movie, this is the first time the music has been made available. It is a moody string based affair about an affair. At one point a repeating instrumental phrase builds relentlessly, sounding much like a Morse code transmission, which reflects the spy thriller elements of the movie. It ends with a slow moving piece that reminded me of parts of Barry’s later soundtrack for The Black Hole.

Disc Two:

1. The Last Valley: Main Theme (Choral Version) – Big, militant, and sinister is how I would describe this theme. Appropriate for the 1970 film set during the The Thirty Years War. If you liked the soundtrack to Conan the Barbarian you will like this. I liked it.
2. Love Amongst the Ruins – A gentle and romantic waltz befitting the 1975 TV movie starring Katharine Hepburn and Lawrence Olivier. Harpsichord and strings dominate. For some reason it reminds me of The Wrong Box, a completely different movie.
3. Mercury Rising: The Story Ends – A generic effort that wanders about aimlessly before deciding to walk a darker path. It appears Barry did not know what exactly to do with the 1998 Bruce Willis film and parts of it seem like leftovers from Dances with Wolves.
4. Midnight Cowboy: Florida Fantasy – Cheerful in contrast to the 1969 movie it came from it is more of a pop track than anything else in this collection. Notable for featuring guitar work and what sounds like bongo drums if I am not mistaken.
5. King Kong: Prelude & Love Theme – Large sounding like the title character of the infamous 1976 remake it was composed without seeing the film! The first part is more discordant than I am used to with Barry. The love theme sounds like Rogers & Hammerstein meet John Barry. I really do not know how I feel about that.
6. Frances: Theme – From the very depressing 1982 movie, it combined Mozart’s Sonata in A major with Barry’s own music. Unfortunately, the outcome is slow, boring, and forgettable.
7. My Sister’s Keeper: Suite – Another rarity in that it comes from a 1986 period piece set in 1943 that ended up going straight to video. Opening with a harmonica and a bluesy piano, it gives way to strings and what seems to be only the left most keys of the piano. That makes for a deliberately uncomfortable passage evoking feelings of bad news. Then it gets darker in tone before finally lightening up. This is my favorite track on Disc Two and was a very nice surprise.
8. Hammett – Chinese motifs blend with piano and clarinet for a feeling of being in smoke filled and dimly lit dive. Can’t get more appropriate for a private eye film dealing with Chinatown! It is a good composition from a very troubled production that finally came out in 1982 after years of problems.
9. Dances with Wolves: The Buffalo Hunt – Gorgeous horn work and strings star in one of the best pieces from what I believe is Barry’s best soundtrack. It is a great rendition, but I still prefer the original soundtrack version from 1990. Go buy that, now!
10. The Deep: Theme – Slow, relaxed, and well… blah. I vaguely recall the 1977 movie only because of Jacqueline Bissett in her prime.
11. Mister Moses: Suite – Nic Raines went back to the original compositions of this music since Barry had compromised them to appease the film makers of the 1965 movie. So in a way, this is another first on this release. I would describe it as a very fun mix of Zulu and Dances with Wolves. Very enjoyable to listen to and it will bring a smile to your face.

All in all, this is an interesting overview of John Barry’s work over the decades. The performances are all very good and benefit from the all digital recording, not to mention the 20 bit HDCD format. However, there have been no new HDCD capable players made since the 1990’s so that is a problem.  But if you have the know how, you can decode it like I did and it will sound terrific on a decent soundcard.

This version of Zulu is simply superior in every way but one to the original Ember Records release. All that is lacking is the narration by Richard Burton. Otherwise everything about the modern version is better mainly due to modern recording techniques, but also the inclusion of a couple of missing pieces. Add in all the other tracks from different movies and it becomes a slam dunk. One caveat is that it will cost you more than twice as much as the Ember release to buy in physical or digital format.

I highly recommend this two CD set to fans of Zulu, John Barry, and good film scores.