A muddled mess of a Godzilla film that is a direct sequel to 2002’s much better Godzilla vs. Mechagodzilla this is probably the worst of the Millennium series. A weak script that links back to the original Mothra makes it more of little kids movie ala the 1970s entries. UPDATED with “HD” screen captures and Blu-ray details.
When I was a kid growing up, often there would be showings of Godzilla films on broadcast TV, usually Saturday night at 10:30 or in the afternoon. It dawned on me it might be fun to review some of the monster destroying cities films for the blog. So I chose Godzilla: Tokyo SOS as a guinea pig for this project. I now regret that as I had to sit through the film twice like I do for every review. Yes, you’ve been warned. Be afraid.
The movie starts out promisingly enough, with a sequence of code showing Mechagodzilla’s DNA based computers being tested segueing to Godzilla’s eye opening in the depths of the Pacific Ocean. Moments later a US Air Force base picks up a UFO flying at high Mach speeds towards Japan and notify the local authorities. Two F-15J Eagles are scrambled to intercept the UFO which has slowed to Mach 2 and is disturbing the cloud layer in a fairly decent CGI sequence. Warning shots are fired ahead of the object without it reacting. However, the lead pilot hears singing women and ground control doesn’t believe him.
The giant moth called… well, Mothra, emerges and the two jet fighters engage her with missiles. Suddenly, the supersonic insect emits a golden cloud of glitter which fools the missiles into missing. Who knew the beloved Japanese monster had chaff dispensers?