Spirited Away wasn’t the only brilliant anime movie to come out of Japan in 2001 though it is the one everybody has heard of. While not as famous, this movie meant for adults is every bit the equal of anything Studio Ghibli has put out. Depicting the life of one actress from the tender age of ten to her seventies, it’s use of flashbacks that blur the line between film and reality make for a wildly inventive film. Incredibly vivid animation, a stellar score, and a terrific story make this a must see.
Most people associate animated movies with fantasy or comedic stories aimed at children. If you mention “anime” you will most likely will draw a blank look. If they have even heard of the term, the stereotype of kids using balls to summon monsters prevails. Mention something like Spirited Away and finally something positive will be said since it is the most well known anime movie in the United States. The whole concept of an anime movie telling a story aimed at adults never enters the picture.
As a result, people miss gems such as Millennium Actress rather easily. A mix of comedy, drama, and a touch of romance using the history of 20th Century Japanese filmmaking as a backdrop, this lovely movie is not for kids. No, this movie is for those who have lived long enough to have known success and heartbreak. It is also for fans of movies, period.
First impressions can be everything, especially with a movie. The film opens in somewhat surprising fashion with a scene that could have been out of 2001: A Space Odyssey. A moon base is the setting with a woman determined to launch in a spaceship for a solo voyage despite the protestations of a man. Her stubbornness is fueled by a desire to fulfill a promise to another man.
Did I wander into a science fiction story by mistake? This certainly wasn’t what I expected from the description at Netflix way back when I first rented it.
A sudden pause of the scene reveals that it is a movie being watched by a middle aged man. Genya Tachibana (Shozo Izuka) is a fan of the actress, perhaps her greatest fan. Interrupted by an earthquake, he is notified by his assistant/camera man that it is time to leave and get to work.
Flashes of one woman’s life go by, first in black and white then color, as the videotape is fast forwarded. Not only is it an artistic way to start the credits, it helps explain the unusual introduction. Tachibana is making a documentary for the 70th anniversary of Ginei Studios and a certain actress was at the heart of their productions for decades.