The Prisoner Episode 2: Free For All

Number 6 runs for office when election time hits the Village. Drawn in by the idea he might be able to engineer a mass escape, the nameless hero tries his hand at politics with the assistance of a new maid. Cold war paranoia meets campaign season in a fast moving and thought provoking second episode.

There is are differences of opinion on which episodes go where in continuity of The Prisoner, but I agree with A&E that this should be the second. Written by Patrick McGoohan under an alias, Paddy Fitz, and directed by him, it shows a Number 6 who still does not understand the ways of the Village which should place it near the beginning.

It all starts with a phone call that rapidly becomes creepy and thoroughly intimidating. Wait, I should back up and note that there is a new Number 2 (Eric Portman) in the opening credits. He even calls himself “the new Number 2.” Disorienting as always, the show rarely lets us relax.

How would you feel if the person on the other end of the phone call suddenly appeared on your turned off television set? Unnerved, perhaps? How about hanging up on said caller and having him walk in the door mere seconds later? That is what happens to Number 6 when Number 2 calls – what a way to start out a day.

The Prisoner (1967) Ep. 1: Arrival

In 1967, a surreal and cerebral television show unlike anything seen before debuted to the amazement of viewers worldwide. Ostensibly about an unnamed spy kidnapped and confined to a strange community on the sea, Patrick McGoohan’s deeply personal project delved into themes of individuality, totalitarianism, paranoia, conformity, brainwashing, and the struggle to be free. Still debated over nearly forty-five years later, it is arguably one of the best dramas ever put on TV, if not the best.

A first episode is always a tricky thing for a series and that is doubly true for one that aspires to be anything more than average. With the incredibly popular series, Danger Man (Secret Agent in the USA), wearing thin on him, McGoohan had a desire to do something different. Different only scratches the surface in describing The Prisoner and Arrival establishes that very quickly.

An extended version of the title theme by Ron Grainier (he also created the original Doctor Who theme) plays over a montage of a man (Patrick McGoohan)  in black driving a Lotus Seven roadster to a government building. Once there he angrily storms into an office while the sound of thunder accompanies his rant, which we do not hear. In fact, no sound other than the soundtrack is heard during this intense opening sequence. Slamming his resignation down on his superior’s desk, the man drives off while we see his record amended and filed away in ominously impersonal fashion.