Zulu: The Soundtrack Review

John Barry is most famous for his many James Bond soundtracks but his resume is considerably larger than that. His score for the movie Zulu is one of his more memorable early efforts, despite being a relatively small amount of music. This is the first of two reviews of different releases.

Watching Zulu the music always stands out due to it being overtly dramatic and “in your face” when it is used. There is nothing subtle about it and that was hardly unusual in the late 1950’s and 60’s scores. Used sparingly in the film, it made a bigger impression then its scanty twenty minutes of use in the long movie should. So it is a pity that the movie was only released in monaural format given how good it was.

One of the nice things about the Web is the ease of obtaining hard to find music in digital format. In this case it was Amazon’s MP3 store that provided me a chance to get the original soundtrack issued on the Ember label for a reasonable price.

Originally put out on stereo LP, the album surprised me in including extra tracks by The John Barry Seven. I scratched my head and wondered why. Then I saw the total time for the film score amounted to 18:26! They clearly needed the extra music to pad the flip side of the LP. Running time for the album is just shy of thirty six minutes.

The stereo presentation of the music is not very impressive and appears to be artificially shifted from the monaural sources used for the movie. Still, it is better for stereo systems and should allow some matrix expansion whether it be Dolby ProLogic or DTS. The MP3 files are of high quality variable bitrate (VBR) and given the source do not lose much fidelity. That will put this release at a bit of a disadvantage in comparison to the Silva Records version I will review in the future. Well, not the only disadvantage.

John Barry got his start as a jazz musician and the use of musical motifs in variation is something he carried over to his orchestral composing. Zulu is an extreme example of this with nearly every track being a version of the main theme. It is an amazing demonstration of doing much with very little, in my opinion.

On to the tracks!

1. Main Title Theme/Isandhlwana, 1876 – Proud, dramatic, and deliberately over the top, it states the main theme forcefully. Brass and drums dominate before fading into Richard Burton’s narration from the beginning of the movie. Oddly, the narration was placed so it came through the left speaker only.
2. News of the Massacre/Rorke’s Drift Threatened – This is the fanfare from the title reveal in the movie seguing into a brief restatement of the theme. Not content to restate the theme, Barry continues into a muted version ending with military drums and a lonely trumpet evoking the feeling of being alone against the world. Or in this case against 4,000 Zulus.
3. Wagons Over – Again the muted version of the theme but punctuated with fanfares to raise the tension. It is a short but effective track conveying the growing conflicts within the outpost.
4. First Zulu Appearance and Assault – A slower building piece that relies heavily on base drums at first and then adds horns and strings to push the theme. It is all about dread and tension building, then fading and building again. Which is a perfect companion to the ebb and flow of battle, of course.
5. Durnford’s Horse Arrive and Depart/The Third Assault – The first part of this is oddly out of order on the soundtrack, having accompanied the scene showing the local cavalry before the first attack. As a result, the hopeful and lilting horns playing an optimistic version of the main theme seem out of place. The silence that bridges the two passages aggravates things somewhat. The later half is a stately reprise of the theme.
6. Zulu’s Final Appearance and Salute – It starts out quiet with underlying tension before becoming a despairing implementation of the theme. It fits the scene in the movie perfectly in the changing moods.
7. The VC Roll and Men of Harlech – Burton narration from the film lists the Victoria’s Cross winners and fades into a men’s choir singing Men of Harlech. It is somber and at the same time brings forth a feeling of pride, just as in the movie.
8. Stomp and Shake – Female Zulu singers provide the vocals over very surf/jazz rock guitar for a piece of 60’s pop kitsch. It reminds me somewhat of the soundtrack to Hitari.
9. High Grass – More of the same, minus the singers and slightly mellower. At this point I was thinking this is 60’s movie music 101.
10. Zulu Stamp – While more rhythmic, it is more of the same again, albeit in a playful form.
11. Big Shield – Okay, this is pure 1960’s light jazz material and could have been composed by Henry Mancini for a Pink Panther film. That is not necessarily an insult, but it is hard to adjust to these tracks after listening to the score part of the album.
12. Zulu Maid – The female singers return for a song that is fluffy lightness.
13. Monkey Feathers – Ever imagine the main theme of Zulu done on an electric guitar? I had not and that is exactly what this is. The problem is the presentation being like the previous tracks by The John Barry Seven. A more serious attempt at this would be a classic piece of electric guitar -- which is not to be found here, sadly.
14. Zulu Stamp [Mono Single Mix] – It is what it says it is, the mono version of track 10.
15. Monkey Feathers [Mono Single Mix] – You guessed it, the mono version of track 13.

The album is a mixed bag thanks to the split personality between orchestral score and pop jazz. While I love the soundtrack, I do not love the pop side of it. Other than Monkey Feathers, it felt flat to my ears and condescending. What was serious is turned into superficial twaddle. I have no idea what Barry was thinking other than “I need to pad out the record.”

On the other hand, the score is wonderful for fans of the film. I cannot say how someone who has not seen the movie would rate the music, but I can guarantee it is not boring. Anyone looking for the Zulu singing from the film will be disappointed because none of that is part of the score. That is a pity, since it was as memorable as the orchestral music.

I recommend Zulu to those who absolutely have to have the original soundtrack, the Richard Burton narrations, or are curious about the pop jazz tracks. Otherwise, there is a much better version available taking advantage of modern recording technology.